After that whole scandal/tragedy of Jam Master Jay’s murder, for some reason, I haven’t thought much of Run DMC. Not that I felt some kind of way… Perhaps we all sort of neglected them. I mean, when you listen all these hip hop documentaries talk about who was a GOAT, I don’t think I’ve heard anyone mention Run DMC. This was a damn shame, because Run DMC actually made history, as they were the first hip hop artists to merge hip hop and rock with their hit “Walk This Way,” featuring Aerosmith. Young people today don’t know how huge that song actually was in the 80s. Also, another rock inspired hit they had was a song called “Rock Box.” Just before Jam Master Jay’s murder, Run DMC recorded an album called “Crown Royal” some time in 2001. It was around that time I stopped listening to mainstream radio and got more into music streaming, so I can’t recall if this album was promoted or not. This has some really good tracks in it. I love the fact that they continued to kept their same distinct Run-DMC style. It’s old school yet their sound is modern. Same flow, yet relevant. Check out “Queens Day” feat. Nas & Prodigy, “Ay Papi” feat. Fat Joe, ” and “Simmons Incorporated” feat. Method Man.
You know, I hadn’t realized just how stunningly beautiful Aaliyah was until after her death. The media showed lots of candid photos I never seen before. We tragically lost an artist that could have been just as large as the late Whitney Houston maybe? But, because this is of a different generation from mine, a lot of her music I didn’t connect with. However, there are a few songs I feel are worthy mentions. I really liked the song she did for the Dr. Doolittle soundtrack called “Are You That Somebody,” and I also liked “More Than A Woman.”
Song: Star Search
Album: CBS Productions (1983-2003)
Genre: TV Show
Hi guys!!! Today, I thought it would be fun to write a little ’bout a forgotten talent show called “Star Search.” To be honest, I forgot what channel I used to watch it on, but, it had to have been either channel 5 or 7 in NYC. This show was on way longer than I realized. I remember watching it in the early 80s, however, the show lasted until about 2003. Star Search was a show similar to the Apollo; the only difference was that Star Search’s format was a lot more formal, and appeared to be more structured. The show was hosted by a number of people throughout the seasons, including Arsenio Hall (believe it or not). But the host I remembered the most was the late Ed McMahon. Mr. McMahon literally became a house hold name back then; in fact, I dare to say his popularity could be compared to the legendary sports announcer, the late Howard Cosell. They both had very distinctive voices. You knew immediately who they were the second you heard their voices. In fact, Ed McMahon was so popular, he often appeared on the late Johnny Carson Show just to hangout.
Truthfully, I Only Remembered Two Performers On The Show That Became Mega Famous!
To be honest, despite the fact that I did enjoy the show most of the time, I was an occasional watcher. Thinking back, I hadn’t realized just how many people Star Search has made famous! One guy that stuck in my head was a guy named Sam Harris. No disrespect, but…… If the late Patrick Swayze was gay, I think he’d look something like Sam Harris ? ?! Come on, you know it’s true! LOLOL.. The audience appeared to have fallen completely in love with Harris. The song that put him on the map, was his rendition of “Somewhere Over The Rainbow.” You know, it’s funny, back then I thought he tore the shit out of this song. Now, 30+ years later, I think he put a lot of stress on his vocal chords. Then again, Star Search was the first of it’s kind, and perhaps that was what it meant for contestants to “give it their all.”
Some Of The Biggest Celebrities That Started Off On Star Search Didn’t Perform All That Well!
One of my all-time favorite contestant of the show was a woman named Linda Eder. She left such a huge impression on me. Listen to Linda sing her rendition of “I Dreamed A Dream.” My jaw completely dropped to the floor when I heard her sing on the show for the first time. This was one woman I wish I could have saw perform live. Linda performs mostly Broadway tunes, and music standards. If you’re into this kind of thing, I definitely recommend you check her albums out. Sam Harris and Linda Eder are the only two performers that were prominent in my memory. However, below is a list of just a few contestants that became big names in their profession.
Beyonce, performed with a group called “Girls Tyme.”
Artist: Michael Sembello
Album: Flashdance (1983)
Wow! Talk about a ?hot? & hairy muscle bear! *Cough* *Cough* Anyway…. The 80s were filled with all types of muscle bears everywhere, and they were not afraid to show-off their hairy chest ?. Today, it appears that hairy chests are viewed as “unsightly,” and many men are encouraged to shave their chest hairs off ?. Could you imagine? Being made to feel ashamed of part of what makes a guy a man? Oh, brother! I digress! Anywayzzz.. When you think of the 80s…….. Does anyone think of Michael Sembello anymore? In terms of music, Michael Sembello was a “jack of all trades! Not only does he play several instruments, he is an incredible songwriter!
His Music Instantly Takes Me Back To The Dance Movie Craze Of The 80s!
Unfortunately, despite Michael’s talents, he was a “1 hit wonder” I have to say. It’s so disappointing when you hear the talent in an artist, and they just don’t get the overall recognition they deserve. Although, in Michael’s case, in my opinion he unfortunately fell in to a producer’s box that many talents are put in by the music industry. In other words, when Michael gave us his first and only massive hit, “Maniac (1983),” (by the way, he also co-wrote) the industry expected him to give us that same type of hits. “Maniac,” reached #1 in the U.S., #2 in Australia, and #6 in Germany. “Maniac,” was one of many songs selected to be on the “Flashdance Sound Track.” I think that the combination of “Maniac,” and Irene Cara’s “What A Feeling,” made the movie even more popular. Although, the entire album was great from beginning to end.
Was Michael Musically Typecasted?! ?
You know, sometimes I wonder if it’s possible to be “musically typecasted,” in the same way that many actors have been? It must hit musicians harder (I would imagine), because at least if you’re a well known actor, most have acquired the power to say no to certain roles. However, when you’re a songwriter, it’s impossible to know if something will become a hit, and if that hit could cause the industry to pigeonhole you into category of songwriters. The good thing is tho….. According to Spotify, he has roughly a little over 3M listeners a month. Not sure what the other streaming services are pulling in for him. But, that’s pretty good for a one hit wonder, and considering the fact that no one really speaks his name anymore. Have you heard of Baggallini bags before? They’re a little on the expensive side, but their really nicely designed. Check them out here.
Genre: Club Music & Remixes
I’ve been meaning to do this for a very long, long time ?! As I’ve said before, just as straight people have history, so does the LGBT community. We have a history that is unique to us as LGBT people. In addition, LGBT/SGL Black American and Boriqua/Hispanic American have our own unique sub-history within LGBT history. And like the straight community, we have huge generation gaps within our gay history. Learning about gay history is just as important as any other history, especially when it comes to Black and Hispanic gay culture. We are presented with our own unique challenges, and our ability to try and convey our stories largely depends on the gay generation you come from. It is unfortunate that it appears that there are more young LGBT people in politics, that aren’t connected to any part of gay history. This should not be, as understanding our journey gives you a deeper understanding and perspective of our diverse realities. Not only that, I’ve seen str8 hip hop videos where the dudes where actually vogueing. But because it’s hip hop, and you’re supposed to be “gangster,” it’s not seen as anything… No one bats an eye… Meanwhile, my gay brothers and sisters where beat-up and chased for our uniqueness back in the day, and straight people are allowed to steal and recycle something that’s been created by us, and been in our community for decades. Know your gay history MF. LEARN!! It’s important.
LGBT People Have Our Own Unique Music History!
I can honestly say that for most of us, the music we listened to literally kept many of us alive, both in our mind and spirit. The club scene allowed us to escape from our deepest emotional pain; as well as escape from abusive relationships. The pressures put on LGBT people to be straight was immense. I don’t think I could find the words to even begin to explain to a straight person what that’s like, and the damage they’ve caused for many LGBT people. When I was growing up, for many straight people, having a Walkman and headphones was simply optional. However, for most gay people in the poorer communities, owning a Walkman or CD player was a necessity. It was the only effective tool we had to use that helped to block out negativity and devastatingly hurtful words.
Most Music Played In Gay Clubs Were Str8!
I’m not sure if there was a reason for this, or perhaps it just happen to be the way it was back in the day, but…. You’d think in the clubs we’d hear our own music made by gay artists. However, for whatever reason, there just wasn’t that many. And when I came out, RuPaul hadn’t emerged yet. Actually, there was only one prominent gay performer producing his own recordings. That was performer’s name was Kevin Aviance. The best way to describe Keven was, he was almost like a male version of Grace Jones ?. Unfortunately, I only liked one song he produced, and that was a song a called “Cunty (1999).” Yeah, I know, some of you may take issue with the title song; however, this was what the gay culture was back then. For many LGBT people, embracing words that would normally be considered inappropriate, were used to take back our lost power in defiance. The power that was lost due to living in a predominantly oppressive hetero society. I love this song because it had a fierce vogue-able dance beat in it’s background.
Back Then, In The Black/Hispanic Gay Club Scene, Our Music Was Very Much Underground For The Most Part!
One reality that wasn’t talked about in regards to underground music; gay clubs played a significant role as to whether or not an underground song/beat would be successful or not. Also, let me just say that, back then, I think it’s safe to say that if a song/beat was not vogue-able, it would be a guaranteed flop! I knew so many people who refused to go to certain clubs if the music played were not vogue-able (hissy-fit and all). It is also interesting that a lot of underground str8 music played in gay clubs, were usually not heard in str8 clubs unless the song went mainstream. It is also true that a lot of good Latin club music would not be heard in a predominantly gay Black establishments either. This not only baffled me, it frustrated me too. This was an era where both Black and Hispanics done the most music collaborations. I couldn’t for the life of me understand why in this aspect, we appeared to be separated. Unfortunately, if we wanted to hear Latin club music in the 80s, we needed to go to specific places, such as an establishment called “Escuelita.” Escuelita has been closed for about 5-6 years now I think. To be honest, I hated that club, because if I remember correctly, they functioned like a lot of the str8 clubs did. That being, they used to pick and choose who gets to enter in the club. I’ve been in too many situations where many of them that operate like that, didn’t live up to the hype (once you finally get in).
Some Of The Biggest Club Mixes Where Dirty As F***!
So, this is the largest playlist I ever made for pubic consumption. It has a whopping 101 major gay anthems I could remember growing up in the gay clubs. This isn’t even all of them. I may consider doin’ a part 2 in the future, I’ll think about it ?, I darn near popped a brain cell trying to remember all these greats! One of my many most memorable favorites was, “Break 4 Love.” You know, it was funny, although this was one of my most favorite club mixes, I was frightened to play this around family back then. For me, I felt it was way too raunchy, and was not appropriate to play for family. At times I kind of felt embarrassed. However, when I started hearing it played on the radio, I was like, f** it, I’m gonna play it too. LOLOL
Today, EDM Appears To Be The Replacement Genre For What Was Once The Greatest Club Music Of My Time!
Another dirty song I used to like a lot was a song by a performer named, Sweet P**** Pauline.” She had a song out called “Work This P****.” Unfortunately, this was one of those songs that was so popular, there were like a million remixes for it. It seems that Spotify doesn’t have the original (or at least the most popular one I remembered), but, I think the one I found on YouTube is ok, because it contains full lyrics. This song was hilarious!!!! Other favorites on this list is “I Can’t Get Enough,” by Liz Torres; “Work That Muth*****,” by Steve Poindexter; “The Party,” by Kraze; “Magic Carpet Ride,” by Mighty Dub Katz. We also vogued to a lot of traditional classic oldies, such as Diana Ross’s “The Boss,” and many music by Salsoul Orchestra. I hope you enjoy your trip through memory lane.
Genre: Sweet Reggae
This was probably my most difficult handpicked playlist yet!! ? I know it seems like I say that all the time, but it really is true. These days, it’s really hard to find a good cover song. Because either the artist’s voice don’t fit the song, or the musical arrangements are just terrible. I much prefer the 80s covers and older. I know a lot of artist feel like they can sing and do anything the want. However, as a fan of music I beg to disagree. I think a true artist is honest enough to know when a song doesn’t suit them, and if you try to force sing it, it only makes it sound worse. I think the most problem I usually have is with the musical arrangements, particularly today’s cover songs from certain countries. Many cover songs today (both Reggae and some American songs) appear to have a distinct sound; tunes that sound as though the artist purchased their first Yamaha keyboard (earlier models) with artificial drum beats and other electronic “push button” flat sounds that try to mimic other natural instruments. These kind of equipment makes the end product sound outdated, karaoke*ish, and sometimes like an amateurish live performance. Therefor, I’m extremely particular about the covers I listen to.
I’m Extremely Particular About The Covers I Listen To!
So, now that I’ve aired out my pet-peeve, I’d like to draw your attention to a great female reggae artist known by one name, Fiona. Fiona recorded a few covers, but my most favorite cover she did is a song called “You Don’t Know My Name,” which was recorded by Alicia Keys. It was upsetting to know this got so little plays on the streaming platforms, because in my opinion this song is freakin’ amazing! So much great music overlooked. I guess the young people aren’t interested in true love songs anymore; they’re only interested in what they can jiggle their ass to. Another amazing cover I highly recommend you check out, is a female artist known as Natty Bong. She released a cover called “Royals,” which was written and performed by Lords. Natty Bong’s cover got over 5.5M plays from just Spotify alone. It’s a really great song! Check it out!
Enjoyable Cover Songs Are Harder To Find These Days!
Let’s go back a little further in time. 1961 to be exact, when the late Peter Tosh released his cover of a song called “Here Comes The Sun.” The late Peter Tosh recorded this song with the legendary reggae band, The Wailers. “Here Comes The Sun,” was originally written and performed by The Beatles (if I’m not mistaken). I’m shocked as to how many reggae musicians done so many covers by them. Then again, I forget that their are a LOT of British reggae performers.
The Most Shocking Was Bob Marley’s Cover!
I have to say, I think the most shocking cover I ever heard was by the late Bob Marley, when he recorded a song called “Sugar Sugar,” which is the original theme song for the 1968 TV cartoon, The Archie’s. The reason why Bob’s cover shocked me was because, of all the diverse American covers made in to reggae, I just never pictured someone like Bob Marley to do this kind of music. Perhaps it’s because my mind associated his music with political messages, and cartoon themes just wasn’t on my radar. Today, I could see it, but not then. Check out my playlist, I have plenty more surprises in it. I hope you enjoy!
Artist: Hanson & Davis
Album: Can’t Stop (c. 1988) (2010)
O-M-F-G!!!!!! Talk about obscurity!!! ? These guys were thrown into obscurity like a Barry Bonds’ fast ball!!! Then again, let’s be honest… The whole freestyle genre kind of died along with it’s cousin disco (shortly after). I don’t think that enough credit has been given to the freestyle genre. Perhaps this was because this music was predominantly produced by the poor Black & Latino communities. Make no mistake, freestyle was a money machine. Yet, you’d never know it in the 80s, because mainstream news never really gave it the time of day (unless there was no other news to report).
Great Memories Of Being In The Record Shop!
Listening to freestyle music gives me many fond memories of spending hours upon hours in the record shop. Shit, I remember being in the record shop for so long, I had back pain a many of times, because I was slouching over looking for that “gem” of a record. Back then, shop owners would play a record for you before you bought it. Some record shops even had multiple turntables with their own headphones, as each customer had an opportunity to play the music before they buy. That whole experience made music so personal, and I really really miss that. Now, vinyl records are not only a luxury, but a rare specialty that costs music fans significantly more.
I’m Dumbfounded That These Guys Aren’t In Any Greatest Freestyle Hits Album!!
I’m really devastated and shocked that these guys do not appear in any of the classic freestyle compilations. Well, at least I have never seen any. Their song “Hungry For Your Love,” was so popular! I literally don’t understand why it did not register anywhere on the top 100 charts, or even the top 200. I heard this on the radio ALL the time! Talk about overlooked talent! There was a category I didn’t even know existed, called “U.S. Club Plays,” which I guess it was the equivalent of poor people’s dance music, or music that wasn’t considered “real mainstream music.” In this category, the song reached #16th position. Other than that, they got no real recognition. The duo broke up after only about 3 years.
Song: Fast Car
Artist: Tracy Chapman
Album: Tracy Chapman (1988)
Genre: Modern Folk
I’m pretty sure that anyone under 20 years of age has never heard of Tracy Chapman. As far as I’m concerned, I most definitely consider her a classic music legend. I also consider a huge legend of the LGBT community as well. For someone of the LGBT community to receive such a positive and accepting response globally was and is still very rare. Only a handful of LGBT icons have reached mainstream level. Perhaps the most widely known are Elton John, Melissa Etheridge, K.D. Lang, and Boy George. They’ve all made music that is literally timeless! We can listen to this kind of music in any point and time, and never feel their music sounds “dated.” Artists today just don’t have that kind of skill anymore. This is what happens when your career is purely driven by money, and not by the art of music.
I Always Thought She Was A Handsome Young Man! LOL
I was about 21 years old when her album called “Tracy Chapman (1988)” came out. I think I heard her smash hit on the radio “Fast Car,” then I went around begging my friends to tell me who that person was singing on the radio. Back then, cassettes was still the preferred way to consume music. When I first saw her picture on cassette, I said to myself “wow, that’s a cute guy.” Now, keep in mind, guys still had “Tracy” as a first-name, and sometimes both guys and girls would spell it the same way. So I still had no idea he was actually a she at first. LOL I really didn’t care to be honest, I was just digging her music. “Fast Car,” reached #6 on the billboard charts. Pretty impressive for a new LGBT artist on the scene at the time.
It’s Unfortunate That Her Peak Success Only Lasted Her Second Album!
Although only one song from this album was a hit, the entire album is quite good! I consider her music a “modern folk” type music. I haven’t enjoyed good folk music like that since Jim Croce. The entire album is relaxing, and it is playable from beginning to end. This is one of those “coming to age,” type albums. Come to think of it, that kind of music was very common for the 80s. You should check out “Across The Lines,” and “Baby Can I Hold You,” are two of my favorite songs from the album. Her next huge hit would be a song called “Give Me One Reason,” from her “New Beginning (1995)” album. The song shot up to #3 on the Top 100.