Classic Groove Music
Well, I don’t know if this was Teddy’s greatest album, but certainly no doubt it was one of his popular ones. One of the biggest songs I remember from this album is “Love T.K.O.,” this song was almost anthem like in the Black Community. This was a song that almost everyone enjoyed listening to when I was growing up. It’s a shame, we lost an incredibly talented voice at a young age. This is why it’s important to keep our Black music history alive. Oh, yeah, check out “Feel The Fire,” another huge hit for Teddy.
Artist: Alicia Keys
Album: Songs In A Minor (2001)
You know I’m old, when I struggle accepting the fact that I now have to label an artist such as Alicia Keys as “old school” now. Darn it! I just can’t believe it is now 20 years since this album came out? Twenty years! Time really moves fast, which is one of the many factors as to why we’re losing our music history. I really love Alicia Keys music because; she was one of the few (then) young female artist that performed hip hop/R&B blends that I felt truly had talent. I really love the fact that although she sang a lot of love songs, she didn’t do a lot of that moaning and begging “come back to me baby” kind of music.
Her First Album Hit Big! And Was A Force To Be Reckoned With!
Keys’ song called “Fallin’,” from her album “Song In A Minor,” was her money maker. On Spotify alone, the song reached almost 275M plays. This was significant, as music streaming just started to become popular. The song hit number one in many places around the world, including the UK and Netherlands. Because of the fast pace of music streaming, I really think a lot of people forgot about this gem. But, forgot about it not in a sense that we wouldn’t remember it if we heard it, but in a sense if we were looking for her music, I’m sure most likely people would be looking for her newer music. It’s a shame that a song that literally became not only her signature song, but an anthem in many of our Black communities has been forgotten. ?
Keys Is Very Musically Diverse, I Like That!
Alicia is very diverse with her music. I don’t think any of her music sounds the same. That’s a true artist! She really wasn’t trying to be like anybody else but her! Not that many artist has the balls to do that! Kudos girl! ? I also love the fact that she’s one of the few artist that has an old school sound to many of her music. And I think that her songs “A Woman’s Worth,” “If I Ain’t Got You,” and “You Don’t Know My Name,” really showcased this. Not only did she bring back the art of old school song writing, she showed us her power to command an audience. There are many new artist who perform new classic sounds, but very few have become international in the way Alicia Keys did. By the way, check out her cover “Every Little Bit Hurts,” from her “Unplugged” 2005 album. Unfortunately, I could only find the live performance on Spotify. I could have sworn she had a studio version. Anyway, she did this one really nice too. I love Alicia, her music is one of the very few new ones that I consider timeless.
Song: Fly Robin, Fly
Artist: The Silver Convention
This is definitely a forgotten, and now obscured dance group! Now, I should start off by saying, with the exception of two songs, their music were quite average. I don’t feel that their sound was unique at all. It was the kind of music you’d see in a certain vinyl pile, designated somewhere in a corner of your local record store (back in the day). To be quite honest, I perceive them as being copies of groups like “ABBA,” who got lucky with a couple of massive hits. Don’t get me wrong, I’m not saying they couldn’t sing, however, with average voices like theirs, it requires a really good songwriter and producer to set them apart.
Two Magaton Hits True Disco Fans Will Never Forget!!
The most memorable hit from Silver Connection is a song called “Fly Robin, Fly! (1975).” Spotify along registers @ over 5.7M plays. Not bad for a song over 40 1/2 years old. The song did very well around the world. US Dance Chart #1; Top 100 Chart #1; Norwegian #1; Canada, Germany, and Belgian #3. So, there’s no question that this was a cult classic. It just startles my mind that our culture has change to such an extreme degree, that this song is now literally obscure. I still have a hard time accepting this; but unfortunately this is the raw fact. This is the kind of beautiful music we had in my generation. Imagine, a song with very few words in it, and a great dance beat, can turn out to be one of the biggest memorable hits in dance history globally. I don’t think we can ever achieve that again. Not the way we consume music now.
We Will Not Hear Amazing Music Like This Again!!
A year later, They released a second major hit that some may remember, the song is called “Get Up And Boogie (1976).” I loved this song too! Like “Fly Robin, Fly,” this song had an easy tune, and an easy beat that allowed anyone of any age to dance to. Both songs were great “cool down music,” after spending an hour on your feet dancing on the floor. US Top 100 Chart, and the American Billboard Dance Chart registered this song as #2; Canada #1; and the Dutch and Spanish version of this recording reached within the top #10. Unfortunately, beyond these two massive hits, I haven’t heard anything from them worth buying, or adding to my playlist. ? However, to be fair, I should point out that the group was originally from Germany. So, they could have had many other hits unbeknown to me.
Artist: William DeVaughn
Wow…. I wonder how many people remember this guy? When I was growing up, he had a massive unforgettable hit that invaded Black communities everywhere! I doubt anyone under the age of 40 has any knowledge of who he is (unless their parents were cultured enough to play music like his). William DeVaughn, now 73, is an R&B/Soul singer with a 50+ career in music. However, as far as my memory goes (and what I see in my research) he only had one hit within that fifty year time span. What an eerie and strange coincidence, that his one and only hit song was called “Be Thankful For What You Got,” as if to say the song itself is what he should be thankful for. ?
His Curtis Mayfield Like Grooves!
It is very clear that Curtis Mayfield had an influence. I’m not sure if that means he literally had a hand in it, or the song was inspired by Curtis’s music. What’s interesting is that he worked in government at the time, and paid almost $1,000 dollars for studio time to record the album. Various members of MFSB helped with background music. I think this is interesting because rarely have I heard about someone working in government, turned hit musician. I guess he also had connections on some level as well. Usually stories like these are told about celebs who were waiters, fast food workers, etc.
“Be Thankful For What You Got,” climbed to #4 on the Top 100 Charts, and #1 on the R&B Chart, as well as selling over a million copies. According to what I’ve read, Williams had another hit called “Blood Is Thicker Than Water (1974),” from the same album. The song reached #10 on the R&B Charts. I don’t remember ever hearing this song before, but as I listen to the song on YouTube, it sounds too similar to “Be Thankful For What You Got.” I really hate it when record companies used to force artists to literally recreate replicas of various songs. Not only does it actually cause the artist music to become boring after awhile, it becomes harder for fans to find their music, because we couldn’t figure which album to buy.
Song: It’s Mashed Potato Time
Artist: Dee Dee Sharp
Genre: Dance Grooves
Shamefully, although I remember this artist as though her music was out yesterday, however in the music world today, she has drifted towards the vacuum of obscurity. This woman was once one of the hottest acts of the 60s! She could have easily been another Mary Wells as far as I’m concerned! Her biggest hit came during the 50s-60s dance craze era. The song was called “It’s Mashed Potato Time!” The song was released in 1962, and became an instant hit! It reached #2 on the Top 100, and #1 on the R&B charts, making it the biggest song of her career! This song was so popular, she had the nerve to come out with another song called “Gravy (For My Mashed Potatoes).” Now that I think about it, it was completely hilarious.
Mashed Potato Time, Was The Biggest Hit Of Her Career!
Now, just think about it for a minute. This song was released more than 5 years before I was born, and remembering hearing this song even as a very young boy, tells me just how majorly popular this song was! Come to think of it, I never did learn how to do “The Mashed Potato.” Even if I wanted to, there were just too many dances goin’ on to keep up with all of them anyway. These dance crazes were so important for the Black community back then. It was one of the very few things that helped us deal with the massive racism.
I Never Did Learn How To Mash Potato! ?
Despite her big dance hit, I think she was also extremely underrated as far as her other music. Dee Dee had an incredible voice! I am just dumbfounded that (at least when I examine the music charts) music lovers only responded to her dance music and not her ballads. I guess it is possible that fans were so moved (hard) by her dance music, they really didn’t want to hear any other type of music by her. However, I highly recommend that you check out some of her ballads. She’s made some incredible covers too!
I Highly Recommend That You Check Out Her Ballads!
One badass song I think you should check out, is a song called “I really Love You (1965),” the musical arrangements for this song was perfect! As far as I’m concerned, this was an ignored gem, barely reaching #78 on top 100. Also listen to her cover of Jerry Butler’s 1958 hit “For Your Precious Love (c.’60s),” a lot of people refuse to believe we are losing our culture; her cover of this song doesn’t appear to be listed anywhere on Wikipedia. Even on discogs I had trouble finding (had to use advanced search! WTF?). So sad, it’s an amazing song. Listen to her cover of 10CC’s 1974 hit “I’m Not In Love (1975),” you know the way she sings this song, she reminds me a lot of the late Nancy Wilson. Lastly, check out her cover of Jackie Wilson’s 1958 hit song “To Be Loved (1963).” At the age of 74, she is still performing!
Song: Beautiful And Dangerous
Artist: Desmond Dekkar
Genre: Sweetest Reggae
You know, I’m not trying to brag, or make myself better than any other classic music blogger. We all celebrate the classics in our own personal way. However, I just want to say what makes my blog special from 85% of blogs in cyberspace, is that it IS a music history blog! Not a collection of random YouTube videos grabbed by a query some lazy programmer written. There’s truly a difference between an automated “blog,” and a blogger that handwrites his or her articles, and shares his/her memories. I am literally telling you a story and sharing my childhood with my readers. I’m pretty sure that at least more than half of what I’ve written, no other popular blogger is writing about. Except for, those stupid and pointless “happy birthday” photo posts on Facebook. And even then they still don’t know shit, if they need to find birthdays.
The Late Desmond Is A Forgotten Reggae Legend Now!
Again, unfortunately there doesn’t appear to be any sort of billboard information to share with you. All I can do is share some of the most popular music I remember growing up. Desmond had recorded a LOT of music, and all the so called “reggae fans,” doesn’t seem to have heard of Desmond. When in fact, I remember his song “007 (Shanty Town) (with The Aces)” to have been his most popular single of everything he’s done in 1967! Actually, another song that was just as popular I heard growing up is “Israelites,” released in 1968.
I Loved Desmond’s Cover Of “You Can Get It If You Really Want!”
I really loved his cover of Jimmy Cliff’s “You Can Get It If You Really Want,” c. 1970s. Both versions are wonderful really. In addition to a lot of political songs, he performed some love songs too. Although the lyrics to “Beautiful and Dangerous” are a little confusing to me, I still love how the background music was done. It remains to be one of my many favorites. I do recommend that you take the time to skim through some of his albums. I know most reggae fans will find something of his they’ll enjoy.
Song: Sitting In The Park
Album: TWO (1980)
Another amazingly talented band that has been forgotten. Even when I’d visit 70s/80s parties, maybe once or twice I’ve heard their music played. This awesome band formed in the Bronx, New York, sometime in the late 60s. Their history is hard for me to trace, as they’ve performed under different names & different music labels. Their music genre was mostly disco. They almost had a Chic, sound to their music in my opinion.
They’ve Produced 2 Unforgettable Hits!
Most older folk would probably remember their monumental #1 R&B hit “Disco Nights (Rock Freak) (1979).” I used to dance the hell out of this song. One of the very few songs I’ve heard where R&B and Disco merged beautifully (in my opinion). You may also remember their cover of Billy Stewart’s 1965 classic “I Do Love You (1979).” Their rendition did very well, reaching #5 on the R&B chart. However, from that same year (I believe) there was another cover they did by Billy Stewart, and I don’t recall the song receiving a whole lot of buzz. It’s called “Sitting In The Park (1980).” They did a beautiful job with this song as well, and I appreciated how they kept the essence of the song in tact, without changing the song completely. It reached #9 on the R&B Chart. Unfortunately, the groups ended before 2000. Keith Crier (above, first left) passed away, and the remaining group members eventually went their separate ways doing other things. So sad.
Album: 112 (1996)
I’m sitting here grinding my teeth, as I am forced to consider that this song needs to be placed in the old school category. Not because I don’t feel this wasn’t an awesome song back in the day, but because it feels like only yesterday! It was 24 years ago this song hit the radio waves. Yet, how many 30 or 35 year olds are playing their music today? Well, I guess the reality is (like I’ve mentioned numerous times before), with the new age of music streaming, there’s just too much music we now have access to, and I believe this is at least 50% responsible for the loss of Black music history. In fact, just the loss of overall American classic music in general. The other half is households simply not playing enough classic oldies. We’re not so far in the future where no one possesses vinyl records anymore! Shit, I still own a lot of cassette tapes from my teenage years for goodness sake!
They’ve Made Many Collaborations!
Their song “Only You,” is probably my most favorite hit from the group. It reached #4 on the Hot 100 Chart. Personally speaking, I definitely feel this song has earned the right of being “barbecue cookout worthy!” 112 has done many, many collaborations with other artists/groups. However, I felt they were so talented, they really didn’t need to. This was probably my biggest pet-peeve when the 90s came along in regards to music. Every new and up coming artist was encouraged to collaborate with another to better promote themselves. I hated that because I saw how easily a group/person can become other artist’s “sidekicks.” Or even backfire, and be seen more of a backup singer, or an extra of some sort.
But, I’m happy to say that a lot of those hookups with other artists proved to be extremely beneficial. My most favorite song was a cover they produced along with a group called “Allure (remember them?).” That song was called “All Cried Out,” originally performed by Lisa Lisa and the Cult Jam. Man, I played this song so much, I’m surprised my CD did not turn in to dust. I was pissed to find out it only peaked at 18 on the Hot 100 Chart. I’m sure it had to have been at least #1 on the R&B chart. Spotify alone has it at 5.5M plays, and keep in mind this was long after streaming was even a thing.
Their Biggest Collaboration?
I’d have to say their biggest collaboration in my opinion has to be Puff Daddy, with the release of “Missing You (1997),” a tribute to B.I.G. Another huge hit by 112 you shouldn’t forget is “It’s Over Now (2001),” which reached #6 on the Hot 100 Chart. Over creative differences, the group left Puff Daddy’s label and signed with Def-Jam around 2002. But, I don’t believe these guys had repeated the same level of success under Def-Jam as they once did under P. Daddy’s label. Although they did have a top 40 hit called “Hot & Wet (2002)” featuring Ludacris, but that was about the extent of it (I could be wrong about that). Honestly, I think Puff had his hand on this song too. Puff really was the golden producer of his time. They should have stayed with Diddy.