I wonder how many of my readers remembers this group? Or do you at least remember the song? As far as the hood is concerned, the song OPP, was almost like an anthem growing up. By the way, for those of you who don’t know what OPP stands for; it means Other People’s Property. Normally, I don’t like songs that degrade women, or songs that encourage degradation of others. But, this song has a REALLY catchy tune. Perhaps the other thing about the song was, the group sampled one of little Michael Jackson’s most popular songs, which put a familiarity to what we were hearing. I don’t know.. When I heard this song, I felt kind of like I had no other choice but to bop my head up and down, simply because I immediately connected with the song. I connected with the beat, and growin’ up in the hood myself, I connected with the lyrics, because it was literally the mindset and culture back then. Still is actually, the only thing is, I’m not sure people are rappin’ or singin’ about it as much as they used to.
This song truly represented our 90s culture
I’m not gonna lie, I was NEVER attracted to thuggish dudes. But, there was something about Treach that made him very attractive when he got older. By the way, I’m not necessarily talking about his beautiful hard body. I guess, you know how people learn a lot about life, and they finally “grow up,” they eventually start to look attractive. I believe our life lessons and life experiences can actually change the way we look; very much in the same way how drugs accelerate the body’s aging process 30 fold. Now, keep in mind, I don’t know anything really about the group, so I could be totally wrong. Anywayz……. Another song I liked by Naughty By Nature, was a song that got really popular as well. That song was “Hip Hop Hooray,” which was released in 1993. This too had an incredibly catchy tune, and it got stuck in my head for a very long time!
Genre: Sweet Reggae
This was probably my most difficult handpicked playlist yet!! ? I know it seems like I say that all the time, but it really is true. These days, it’s really hard to find a good cover song. Because either the artist’s voice don’t fit the song, or the musical arrangements are just terrible. I much prefer the 80s covers and older. I know a lot of artist feel like they can sing and do anything the want. However, as a fan of music I beg to disagree. I think a true artist is honest enough to know when a song doesn’t suit them, and if you try to force sing it, it only makes it sound worse. I think the most problem I usually have is with the musical arrangements, particularly today’s cover songs from certain countries. Many cover songs today (both Reggae and some American songs) appear to have a distinct sound; tunes that sound as though the artist purchased their first Yamaha keyboard (earlier models) with artificial drum beats and other electronic “push button” flat sounds that try to mimic other natural instruments. These kind of equipment makes the end product sound outdated, karaoke*ish, and sometimes like an amateurish live performance. Therefor, I’m extremely particular about the covers I listen to.
I’m Extremely Particular About The Covers I Listen To!
So, now that I’ve aired out my pet-peeve, I’d like to draw your attention to a great female reggae artist known by one name, Fiona. Fiona recorded a few covers, but my most favorite cover she did is a song called “You Don’t Know My Name,” which was recorded by Alicia Keys. It was upsetting to know this got so little plays on the streaming platforms, because in my opinion this song is freakin’ amazing! So much great music overlooked. I guess the young people aren’t interested in true love songs anymore; they’re only interested in what they can jiggle their ass to. Another amazing cover I highly recommend you check out, is a female artist known as Natty Bong. She released a cover called “Royals,” which was written and performed by Lords. Natty Bong’s cover got over 5.5M plays from just Spotify alone. It’s a really great song! Check it out!
Enjoyable Cover Songs Are Harder To Find These Days!
Let’s go back a little further in time. 1961 to be exact, when the late Peter Tosh released his cover of a song called “Here Comes The Sun.” The late Peter Tosh recorded this song with the legendary reggae band, The Wailers. “Here Comes The Sun,” was originally written and performed by The Beatles (if I’m not mistaken). I’m shocked as to how many reggae musicians done so many covers by them. Then again, I forget that their are a LOT of British reggae performers.
The Most Shocking Was Bob Marley’s Cover!
I have to say, I think the most shocking cover I ever heard was by the late Bob Marley, when he recorded a song called “Sugar Sugar,” which is the original theme song for the 1968 TV cartoon, The Archie’s. The reason why Bob’s cover shocked me was because, of all the diverse American covers made in to reggae, I just never pictured someone like Bob Marley to do this kind of music. Perhaps it’s because my mind associated his music with political messages, and cartoon themes just wasn’t on my radar. Today, I could see it, but not then. Check out my playlist, I have plenty more surprises in it. I hope you enjoy!
Song: Fast Car
Artist: Tracy Chapman
Album: Tracy Chapman (1988)
Genre: Modern Folk
I’m pretty sure that anyone under 20 years of age has never heard of Tracy Chapman. As far as I’m concerned, I most definitely consider her a classic music legend. I also consider a huge legend of the LGBT community as well. For someone of the LGBT community to receive such a positive and accepting response globally was and is still very rare. Only a handful of LGBT icons have reached mainstream level. Perhaps the most widely known are Elton John, Melissa Etheridge, K.D. Lang, and Boy George. They’ve all made music that is literally timeless! We can listen to this kind of music in any point and time, and never feel their music sounds “dated.” Artists today just don’t have that kind of skill anymore. This is what happens when your career is purely driven by money, and not by the art of music.
I Always Thought She Was A Handsome Young Man! LOL
I was about 21 years old when her album called “Tracy Chapman (1988)” came out. I think I heard her smash hit on the radio “Fast Car,” then I went around begging my friends to tell me who that person was singing on the radio. Back then, cassettes was still the preferred way to consume music. When I first saw her picture on cassette, I said to myself “wow, that’s a cute guy.” Now, keep in mind, guys still had “Tracy” as a first-name, and sometimes both guys and girls would spell it the same way. So I still had no idea he was actually a she at first. LOL I really didn’t care to be honest, I was just digging her music. “Fast Car,” reached #6 on the billboard charts. Pretty impressive for a new LGBT artist on the scene at the time.
It’s Unfortunate That Her Peak Success Only Lasted Her Second Album!
Although only one song from this album was a hit, the entire album is quite good! I consider her music a “modern folk” type music. I haven’t enjoyed good folk music like that since Jim Croce. The entire album is relaxing, and it is playable from beginning to end. This is one of those “coming to age,” type albums. Come to think of it, that kind of music was very common for the 80s. You should check out “Across The Lines,” and “Baby Can I Hold You,” are two of my favorite songs from the album. Her next huge hit would be a song called “Give Me One Reason,” from her “New Beginning (1995)” album. The song shot up to #3 on the Top 100.
Artist: William DeVaughn
Wow…. I wonder how many people remember this guy? When I was growing up, he had a massive unforgettable hit that invaded Black communities everywhere! I doubt anyone under the age of 40 has any knowledge of who he is (unless their parents were cultured enough to play music like his). William DeVaughn, now 73, is an R&B/Soul singer with a 50+ career in music. However, as far as my memory goes (and what I see in my research) he only had one hit within that fifty year time span. What an eerie and strange coincidence, that his one and only hit song was called “Be Thankful For What You Got,” as if to say the song itself is what he should be thankful for. ?
His Curtis Mayfield Like Grooves!
It is very clear that Curtis Mayfield had an influence. I’m not sure if that means he literally had a hand in it, or the song was inspired by Curtis’s music. What’s interesting is that he worked in government at the time, and paid almost $1,000 dollars for studio time to record the album. Various members of MFSB helped with background music. I think this is interesting because rarely have I heard about someone working in government, turned hit musician. I guess he also had connections on some level as well. Usually stories like these are told about celebs who were waiters, fast food workers, etc.
“Be Thankful For What You Got,” climbed to #4 on the Top 100 Charts, and #1 on the R&B Chart, as well as selling over a million copies. According to what I’ve read, Williams had another hit called “Blood Is Thicker Than Water (1974),” from the same album. The song reached #10 on the R&B Charts. I don’t remember ever hearing this song before, but as I listen to the song on YouTube, it sounds too similar to “Be Thankful For What You Got.” I really hate it when record companies used to force artists to literally recreate replicas of various songs. Not only does it actually cause the artist music to become boring after awhile, it becomes harder for fans to find their music, because we couldn’t figure which album to buy.
Song: Dance With Me
Artist: Earl Klugh
Album: Finger Paintings (1977)
Genre: Instrumental/Easy Listening
Wow… Not only do I think today’s artist was incredibly handsome (and still is), he is incredibly talented! Yet he is so very underrated. Very sadly underrated. He has done a beautiful job of covering some of my most favorite classic songs, reinterpreting them in such a way that his music forces you to just relax and enjoy! There aren’t many artists that has that kind of power today. His style is definitely uniquely his own. If I had to describe his music, I would have to say it’s like modern day Black folk music. But, despite the fact of how wonderfully talented he is, his albums ranked very low on the billboards. On average, most of his albums are below #100 position on the charts.
Today, I Consider Klugh To Be An Unexplored Gem!
I guess the reality is, he’s a jazz musician; and like it or not, jazz is a world onto itself. Billboard’s rating calculations do not reflect the true talents of a jazz artist. Reason being, they’re not mainstream, as in a comparison to a pop artist. As far as I can tell, the only instrumental piece of work he’s done that was received very well by music fans, was today’s pick called “Dance With Me.” “Dance With Me” is actually a song he covered by the band “Orleans.” When I heard Klugh’s reinterpretation, I kept playing it over and over again. It was so soothing and wonderful to listen to. He’s one of those few artist that at times actually appear to make his guitar “sing.” Almost as tho his guitar had vocal cords. I guess this is the difference between an artists that plays because he needs money, and an artist that feels the music as he plays. Big difference.
He’s One Of The Few Artists That Can Make His Instrument Sing!
Another great instrumental piece I love from Klugh happens to be on the same album. It’s called “Dr. Macumba,” which has a relaxing mixtur I e of African and Brazilian energy to it. Another amazing cover he did recently came from his 2013 album called “HandPicked,” which got absolutely no attention, was from the legendary Eagle’s massive hit “Hotel California (duet with Jake Shimabukuro).” If you haven’t heard already, I really think jazz lovers will really love “Wishful Thinking (2005),” from his “Lovers Only” album. If I understand correctly, this piece actually hit 1# on the Jazz Chart. Last one, check out his piece called “Living Inside Your Love (2005),” from his album “Living Inside Your Love.”
Song: Love Come Down
Artist: Evelyn Champagne King
Album: Get Loose (1982)
She was once the queen of dance/funk music. But, today, people barely knows who she is. Perhaps they may vaguely remember hearing one of her tunes, because they heard their mother or father play it once, or maybe twice. It’s hard to accept that fact that there was a time her music burned across dance-floors in just about every club in NYC, and now, Evelyn who? Strange that I don’t even remember hearing her music in many 70s parties ?. In fact, she was one of the few music performers (along with perhaps the Mary Jane Girls) that helped to make hair beads extremely popular in the Black communities (med/late 70s).
She Was The Queen Of Dance, 70s and 80s!
Now, as far I can tell, Evelyn never had a number one hit on the Top 100 List. However, on the dance categories she has had 2 number ones, and 6 Top 10 hits. Perhaps her biggest and most memorable hit (I think) was a song called “Love Come Down (1982).” Despite the fact that I haven’t personally heard any classic radio station play her music since the mid 80s, fans continue to show her support on streaming services. “Love Come Down” alone accumulated over 40M streams! That’s pretty cool considering the major culture shift America has been undergoing for years.
Evelyn Had More Hits Under Billboard’s Dance Category!
Another huge favorite of mine was “I Don’t Know If It’s Right (1979).” I was surprised to find out it reached only #25 on the dance chart. I played this record on practically every family party back in the day. It had an unusual (and still distinct) recognizable beat. Another hit I used to shake my ass too was “Shame (1978).” This song was my sh*t back in the day! This was one of those songs that sounded so good, you didn’t care how crazy you looked on the dance floor ?! One last song for ya. Check out her #1 dance hit called “I’m In Love (1981).” I totally forgot about this song. This was my sh*t too. I highly recommend you skim through her music. She’s totally worth investigating! Seems that Evelyn (now in her 60s) hasn’t come out with a new album in quite some time. But, according to wiki, she is still actively performing.
Song: Try Jah Love
Artist: Third World
Album: You’ve Got The Power (1982)
I can’t even attempt to find the words to explain how much of an impact this album has made around the world. How many Americans even remember the group Third World? You’ll probably think long and hard for a good half our thinking about their name, until you hear this song! This song is so unique, I still have trouble figuring out an appropriate category. You know it’s has a Caribbean element to it, yet some times it sounds more like American club music. Some might even dare to say it borderlines disco. Maybe this is one of the many complex mysteries of what makes this song not only so awesome, but attract so many people of all walks of life!
This Awesome Song Was Co-Written With Stevie Wonder!
Kind of by accident, I found out that the song was co-written along with Stevie Wonder. Stevie was inspired to write this song shortly after the heartbreaking death of the late Bob Marley. The song became an instant hit. Without knowing any stats, there is no doubt in my mind this turned out to be the biggest global hit of Third World’s career! It truly put them on the map. Probably, I wouldn’t be surprised to find out that it made them the most famous in America, in terms of reggae bands are concerned (next to the Wailers, and even then, most American people remember Bob Marley, and never think about the band playin’ in the background). Now, unfortunately, I think Billboard is tryin’ to charge $10 a month for Billboard Chart info (not gonna happen with me). So, as far as Wikipedia is concerned, “Try Jah Love,” supposedly reached #42 in the UK and #101 on the Top 100 Chart. That sounds wrong to me, I remembered that this song was just too popular in the Black community for those numbers to be right. Black clubs played this all the time, I heard this song throughout the streets of NYC. Those numbers can’t be right.
Again, I don’t mean to hop on this all the time, but it’s true. I’ve heard very few professional reggae performers or bands, were able to fuse their reggae culture with other styles of music and come out successful like this. If never before, this song certainly immortalized them, don’t you think? It’s a shame Spotify doesn’t have this original album, it has some good stuff in it!! If this album doesn’t spark any one of your memory cells, perhaps you’ll remember them for another hit about 4 years before called “Now That We’ve Found Love (1978).” Man…………….. If you don’t at least move your hips to either one of these songs, you’re just a deadbeat dancer. Straight up deadbeat. ?
Song: Take A Message
Artist: Remy Shand
Album: The Way I Feel (2002)
Genre: Neo Soul
As I sift through my collection, my eyes pop wide open. I completely forgot about Remy Shand! Actually, I’m sure a lot of people forgot about him too. It’s such a wonderful thing to have a way to save our memories in digital form, otherwise we’d forget about all this shit. No matter how good of a memory we have. As far as I’m concerned, Remy was one of those explosive one hit wonders, then we never hear from them again. You know, sometimes I think when these guys get too famous, the attention is too much for them. Next thing you know, they’re “low key,” like writing songs in the background, or specializing on the mixing board.
Remy’s Music Is An Acquired Taste Tho!
I have to say that a lot of Remy’s music is an acquired taste. In fact, to be honest, I haven’t met too many people who are genuinely into Neo-Soul, unless you’ve been exposed to different music growing up. The one and only song that hit the American Billboard charts was “Take A Message.” Unfortunately, my favorite song out of the whole album only reached #89th position. However, in Canada, the album itself did very well, it actually reached #1. Go figure?
Remy Won For Best Album Of The Year In Canada 2003!
I really love his almost Curtis Mayfield & Marvin Gaye style in his music. Personally speaking, I think he should have stayed along those lines. To my understanding he’s still actively performing, but hasn’t really made a good album in a really long time. A couple of songs I want you to checkout. Listen to “Rocksteady,” and I also like “The Mind’s Eye,” which is a relaxing instrumental piece.