Genre: Club Music & Remixes
I’ve been meaning to do this for a very long, long time 🙄! As I’ve said before, just as straight people have history, so does the LGBT community. We have a history that is unique to us as LGBT people. In addition, LGBT/SGL Black American and Boriqua/Hispanic American have our own unique sub-history within LGBT history. And like the straight community, we have huge generation gaps within our gay history. Learning about gay history is just as important as any other history, especially when it comes to Black and Hispanic gay culture. We are presented with our own unique challenges, and our ability to try and convey our stories largely depends on the gay generation you come from. It is unfortunate that it appears that there are more young LGBT people in politics, that aren’t connected to any part of gay history. This should not be, as understanding our journey gives you a deeper understanding and perspective of our diverse realities. Not only that, I’ve seen str8 hip hop videos where the dudes where actually vogueing. But because it’s hip hop, and you’re supposed to be “gangster,” it’s not seen as anything… No one bats an eye… Meanwhile, my gay brothers and sisters where beat-up and chased for our uniqueness back in the day, and straight people are allowed to steal and recycle something that’s been created by us, and been in our community for decades. Know your gay history MF. LEARN!! It’s important.
LGBT People Have Our Own Unique Music History!
I can honestly say that for most of us, the music we listened to literally kept many of us alive, both in our mind and spirit. The club scene allowed us to escape from our deepest emotional pain; as well as escape from abusive relationships. The pressures put on LGBT people to be straight was immense. I don’t think I could find the words to even begin to explain to a straight person what that’s like, and the damage they’ve caused for many LGBT people. When I was growing up, for many straight people, having a Walkman and headphones was simply optional. However, for most gay people in the poorer communities, owning a Walkman or CD player was a necessity. It was the only effective tool we had to use that helped to block out negativity and devastatingly hurtful words.
Most Music Played In Gay Clubs Were Str8!
I’m not sure if there was a reason for this, or perhaps it just happen to be the way it was back in the day, but…. You’d think in the clubs we’d hear our own music made by gay artists. However, for whatever reason, there just wasn’t that many. And when I came out, RuPaul hadn’t emerged yet. Actually, there was only one prominent gay performer producing his own recordings. That was performer’s name was Kevin Aviance. The best way to describe Keven was, he was almost like a male version of Grace Jones 🤣. Unfortunately, I only liked one song he produced, and that was a song a called “Cunty (1999).” Yeah, I know, some of you may take issue with the title song; however, this was what the gay culture was back then. For many LGBT people, embracing words that would normally be considered inappropriate, were used to take back our lost power in defiance. The power that was lost due to living in a predominantly oppressive hetero society. I love this song because it had a fierce vogue-able dance beat in it’s background.
Back Then, In The Black/Hispanic Gay Club Scene, Our Music Was Very Much Underground For The Most Part!
One reality that wasn’t talked about in regards to underground music; gay clubs played a significant role as to whether or not an underground song/beat would be successful or not. Also, let me just say that, back then, I think it’s safe to say that if a song/beat was not vogue-able, it would be a guaranteed flop! I knew so many people who refused to go to certain clubs if the music played were not vogue-able (hissy-fit and all). It is also interesting that a lot of underground str8 music played in gay clubs, were usually not heard in str8 clubs unless the song went mainstream. It is also true that a lot of good Latin club music would not be heard in a predominantly gay Black establishments either. This not only baffled me, it frustrated me too. This was an era where both Black and Hispanics done the most music collaborations. I couldn’t for the life of me understand why in this aspect, we appeared to be separated. Unfortunately, if we wanted to hear Latin club music in the 80s, we needed to go to specific places, such as an establishment called “Escuelita.” Escuelita has been closed for about 5-6 years now I think. To be honest, I hated that club, because if I remember correctly, they functioned like a lot of the str8 clubs did. That being, they used to pick and choose who gets to enter in the club. I’ve been in too many situations where many of them that operate like that, didn’t live up to the hype (once you finally get in).
Some Of The Biggest Club Mixes Where Dirty As F***!
So, this is the largest playlist I ever made for pubic consumption. It has a whopping 101 major gay anthems I could remember growing up in the gay clubs. This isn’t even all of them. I may consider doin’ a part 2 in the future, I’ll think about it 🤣, I darn near popped a brain cell trying to remember all these greats! One of my many most memorable favorites was, “Break 4 Love.” You know, it was funny, although this was one of my most favorite club mixes, I was frightened to play this around family back then. For me, I felt it was way too raunchy, and was not appropriate to play for family. At times I kind of felt embarrassed. However, when I started hearing it played on the radio, I was like, f** it, I’m gonna play it too. LOLOL
Today, EDM Appears To Be The Replacement Genre For What Was Once The Greatest Club Music Of My Time!
Another dirty song I used to like a lot was a song by a performer named, Sweet P**** Pauline.” She had a song out called “Work This P****.” Unfortunately, this was one of those songs that was so popular, there were like a million remixes for it. It seems that Spotify doesn’t have the original (or at least the most popular one I remembered), but, I think the one I found on YouTube is ok, because it contains full lyrics. This song was hilarious!!!! Other favorites on this list is “I Can’t Get Enough,” by Liz Torres; “Work That Muth*****,” by Steve Poindexter; “The Party,” by Kraze; “Magic Carpet Ride,” by Mighty Dub Katz. We also vogued to a lot of traditional classic oldies, such as Diana Ross’s “The Boss,” and many music by Salsoul Orchestra. I hope you enjoy your trip through memory lane.
Artist: Alicia Keys
Album: Songs In A Minor (2001)
You know I’m old, when I struggle accepting the fact that I now have to label an artist such as Alicia Keys as “old school” now. Darn it! I just can’t believe it is now 20 years since this album came out? Twenty years! Time really moves fast, which is one of the many factors as to why we’re losing our music history. I really love Alicia Keys music because; she was one of the few (then) young female artist that performed hip hop/R&B blends that I felt truly had talent. I really love the fact that although she sang a lot of love songs, she didn’t do a lot of that moaning and begging “come back to me baby” kind of music.
Her First Album Hit Big! And Was A Force To Be Reckoned With!
Keys’ song called “Fallin’,” from her album “Song In A Minor,” was her money maker. On Spotify alone, the song reached almost 275M plays. This was significant, as music streaming just started to become popular. The song hit number one in many places around the world, including the UK and Netherlands. Because of the fast pace of music streaming, I really think a lot of people forgot about this gem. But, forgot about it not in a sense that we wouldn’t remember it if we heard it, but in a sense if we were looking for her music, I’m sure most likely people would be looking for her newer music. It’s a shame that a song that literally became not only her signature song, but an anthem in many of our Black communities has been forgotten. 🙄
Keys Is Very Musically Diverse, I Like That!
Alicia is very diverse with her music. I don’t think any of her music sounds the same. That’s a true artist! She really wasn’t trying to be like anybody else but her! Not that many artist has the balls to do that! Kudos girl! 🤣 I also love the fact that she’s one of the few artist that has an old school sound to many of her music. And I think that her songs “A Woman’s Worth,” “If I Ain’t Got You,” and “You Don’t Know My Name,” really showcased this. Not only did she bring back the art of old school song writing, she showed us her power to command an audience. There are many new artist who perform new classic sounds, but very few have become international in the way Alicia Keys did. By the way, check out her cover “Every Little Bit Hurts,” from her “Unplugged” 2005 album. Unfortunately, I could only find the live performance on Spotify. I could have sworn she had a studio version. Anyway, she did this one really nice too. I love Alicia, her music is one of the very few new ones that I consider timeless.
Song: End Of The Road
Group: Boyz II Men
Album: Cooley High Harmony (1991)
Genre: Slow Jams
Wow.. Talk about forgotten talent. In my opinion, arguably Boyz II Men were one of the biggest and most talented male groups of the nineties! I mean, in terms of male groups of color, the only other group I loved equally as much was Dru-Hill (who also fell off the face of the earth). Now again….. I know I’ve said the same thing multiple times about quite a few artist I write about, but it’s true…. Back in the day, you could not turn on the radio without first hearing at least one of Boyz II Men’s music first! And if you didn’t hear their music first, guaranteed it will be heard no more than three songs later 🤣. That was how popular Boyz II Men were.
To Date: 173.5M Plays, Yet The Song Was Released Before The Popularity Of Streaming!
Now, today, I would imagine it would be a little difficult to understand the magnitude of a classic group’s popularity if we look at streaming numbers. Why? Because when it comes to streaming, we have more than quadrupled our music consumption. So, relatively speaking, Boyz II Men’s biggest hit was “End Of The Road (1991)” received well over 173M plays on Spotify alone. If we take in to account when the song was released, and the fact that streaming wasn’t even a thing yet back then, those numbers are a huge accomplishment. However, by today’s standards, you don’t have a hit song unless your song is streaming by the billions of plays.
Michael McCary, Single Handedly Brought Young Romance To The Group’s Music
Michael McCary was like the equivalent of a young 20’s version of an older Barry White. I mean, he had such a strong bass in his voice, that when we heard it on radio, or on a record, the speakers just vibrated. Just made you feel like OMG! Take me! Just take me now! 🤣 Unfortunately, McCary had to eventually leave his very famous group due to early stages of MS. Check out some of my other favorite hits by them, such as “One Sweet Day,” “I’ll Make Love To You,” “Motownphilly,” and “Water Runs Dry.”
Genre: Sweet Reggae
This was probably my most difficult handpicked playlist yet!! 🤣 I know it seems like I say that all the time, but it really is true. These days, it’s really hard to find a good cover song. Because either the artist’s voice don’t fit the song, or the musical arrangements are just terrible. I much prefer the 80s covers and older. I know a lot of artist feel like they can sing and do anything the want. However, as a fan of music I beg to disagree. I think a true artist is honest enough to know when a song doesn’t suit them, and if you try to force sing it, it only makes it sound worse. I think the most problem I usually have is with the musical arrangements, particularly today’s cover songs from certain countries. Many cover songs today (both Reggae and some American songs) appear to have a distinct sound; tunes that sound as though the artist purchased their first Yamaha keyboard (earlier models) with artificial drum beats and other electronic “push button” flat sounds that try to mimic other natural instruments. These kind of equipment makes the end product sound outdated, karaoke*ish, and sometimes like an amateurish live performance. Therefor, I’m extremely particular about the covers I listen to.
I’m Extremely Particular About The Covers I Listen To!
So, now that I’ve aired out my pet-peeve, I’d like to draw your attention to a great female reggae artist known by one name, Fiona. Fiona recorded a few covers, but my most favorite cover she did is a song called “You Don’t Know My Name,” which was recorded by Alicia Keys. It was upsetting to know this got so little plays on the streaming platforms, because in my opinion this song is freakin’ amazing! So much great music overlooked. I guess the young people aren’t interested in true love songs anymore; they’re only interested in what they can jiggle their ass to. Another amazing cover I highly recommend you check out, is a female artist known as Natty Bong. She released a cover called “Royals,” which was written and performed by Lords. Natty Bong’s cover got over 5.5M plays from just Spotify alone. It’s a really great song! Check it out!
Enjoyable Cover Songs Are Harder To Find These Days!
Let’s go back a little further in time. 1961 to be exact, when the late Peter Tosh released his cover of a song called “Here Comes The Sun.” The late Peter Tosh recorded this song with the legendary reggae band, The Wailers. “Here Comes The Sun,” was originally written and performed by The Beatles (if I’m not mistaken). I’m shocked as to how many reggae musicians done so many covers by them. Then again, I forget that their are a LOT of British reggae performers.
The Most Shocking Was Bob Marley’s Cover!
I have to say, I think the most shocking cover I ever heard was by the late Bob Marley, when he recorded a song called “Sugar Sugar,” which is the original theme song for the 1968 TV cartoon, The Archie’s. The reason why Bob’s cover shocked me was because, of all the diverse American covers made in to reggae, I just never pictured someone like Bob Marley to do this kind of music. Perhaps it’s because my mind associated his music with political messages, and cartoon themes just wasn’t on my radar. Today, I could see it, but not then. Check out my playlist, I have plenty more surprises in it. I hope you enjoy!
Song: Fast Car
Artist: Tracy Chapman
Album: Tracy Chapman (1988)
Genre: Modern Folk
I’m pretty sure that anyone under 20 years of age has never heard of Tracy Chapman. As far as I’m concerned, I most definitely consider her a classic music legend. I also consider a huge legend of the LGBT community as well. For someone of the LGBT community to receive such a positive and accepting response globally was and is still very rare. Only a handful of LGBT icons have reached mainstream level. Perhaps the most widely known are Elton John, Melissa Etheridge, K.D. Lang, and Boy George. They’ve all made music that is literally timeless! We can listen to this kind of music in any point and time, and never feel their music sounds “dated.” Artists today just don’t have that kind of skill anymore. This is what happens when your career is purely driven by money, and not by the art of music.
I Always Thought She Was A Handsome Young Man! LOL
I was about 21 years old when her album called “Tracy Chapman (1988)” came out. I think I heard her smash hit on the radio “Fast Car,” then I went around begging my friends to tell me who that person was singing on the radio. Back then, cassettes was still the preferred way to consume music. When I first saw her picture on cassette, I said to myself “wow, that’s a cute guy.” Now, keep in mind, guys still had “Tracy” as a first-name, and sometimes both guys and girls would spell it the same way. So I still had no idea he was actually a she at first. LOL I really didn’t care to be honest, I was just digging her music. “Fast Car,” reached #6 on the billboard charts. Pretty impressive for a new LGBT artist on the scene at the time.
It’s Unfortunate That Her Peak Success Only Lasted Her Second Album!
Although only one song from this album was a hit, the entire album is quite good! I consider her music a “modern folk” type music. I haven’t enjoyed good folk music like that since Jim Croce. The entire album is relaxing, and it is playable from beginning to end. This is one of those “coming to age,” type albums. Come to think of it, that kind of music was very common for the 80s. You should check out “Across The Lines,” and “Baby Can I Hold You,” are two of my favorite songs from the album. Her next huge hit would be a song called “Give Me One Reason,” from her “New Beginning (1995)” album. The song shot up to #3 on the Top 100.
Song: I Think I Love You
Genre: Young Pop
Wow, I guess I’ve been blogging and tweeting for so long, I can’t even remember if I’ve written about certain artists anymore 😜. But, who cares? There will always be someone who didn’t see, and what you don’t see is still considered “new” in my opinion. I’m almost willing to bet that I can’t find at least 10 of my young readers who know about the legendary Partridge Family! Which is a shame, because although many young people today might not connect with classic music artists, kids in my era did watch a LOT of TV. You’d think that more young people would remember something of their parents playing or watching The Partridge Family.
You Should Remember The Partridge Family, We’ve Watched Too Much TV Not To!
You know, growing up, I never really liked guys with very long hair. But, I discovered that some are the exception to the rule (I guess). Perhaps it’s that “swagger” that my elders used to speak of? Some guys are born with a particular kind of energy that can get away with doing things that others can’t. David Cassidy’s swagger added to his sex-appeal, which is why he had hoards of female fans. I mean, girls screamed for him in the same way they did for Elvis. In the 80s, girls were still drooling over him. Back then, guys like him were called “Heart Throbs.”
David Cassidy Was The Group’s Bread Winner!!
If I remember correctly, none of The Partridge Family were actual professional musicians with the exception of David. In fact, David was the only one who knew how to actually play an instrument. Even the scenes with the young Brian Foster or Suzanne Crough (I can’t remember which) that played the drums on the show, all of that was fake. They did it in such a way that it looked realistic. I’m not sure of their singing though, since David has always been lead singer since I can remember. Sometimes it’s hard to figure those things out. For all we know, the family’s faces could be on the album purely to associate it with the show.
Only David Was The Real Musician!
As to whether these guys are legendary music artists is debatable. I guess depending on who you talk to, and which category you put them in, either actors or performers. Regardless, there’s no question that they’ve played a role in music history tho. Their biggest hit is a song called “I Think I Love You (1970).” I can’t find the billboard position for this song, but Spotify alone shows 15M streams just on this album. To my understanding, the song was so successful that almost immediately after, he started working on a solo albums. He did a cover of a song called “Cherish” which was originally recorded by a group called “The Associations.” It was very well done. It actually sounded a lot like the original. Another favorite of mine I think you should checkout, his song called “I Woke Up In Love This Morning.” I used to play this song all the time. Unfortunately, David died in 2017 of liver failure.
Hope all my readers are doing well. I decided to create a great playlist today, highlighting some of the most popular Black R&B hits of 1962! As always, this playlist contains a total of 20 handpicked extremely rare and hard to find hits! I think it’s safe to say that my young readers most likely never heard these songs before; but I do hope that you take a listen because they are all a part of our Black music history! The kind of music I think your parents would be proud that you’re now exploring 😜
Forgotten Black Music For Sure!!
So, the first highlighted songs on this awesome playlist, is an extremely rare song called “Tear After Tear,” performed by the legendary Pattie Labelle and The Bluebells. They were recorded live at the Apollo, a time when the establishment was at it’s peak in popularity. They sang the shit out of this song! Now, you may say that their music in this era were no different than say, a Mary Wells type music, however, Pattie’s voice gave this song it’s own identity (sort of speak). I hadn’t been born yet when this song was recorded, and I hate to say I never saw Pattie perform live in person before. However, every person who told me they had seen these girls perform before, they’ve all said to me it was a sight to see!
Limbo Rock, Was One Of The Biggest Global Ethnic Songs Ever Made!!
The song called “Limbo Rock,” was one of the most popular songs I remember growing up. It was so popular, it was almost as though, if you were a musician, and you did not perform things song, you weren’t shit! In fact, I dare to say that it was even bigger than what a lot of 30 year olds may remember a song called “The Macarena (1996),” that stayed on the charts for a whopping 60 weeks!! Herb Albert’s genre really isn’t R&B, he’s music is more along the lines of movie score type music. But, I really liked his interpretation of “Limbo Rock.” I think he pulled it off well, since it seems a lot of his music was inspired by Brazilian culture. I think Herb’s reinterpretation of this song was severely underrated. I love his piece because he sort of kept it’s original form. However, Chubby Checker recorded the first vocal version in 1962, and it exploded! Chubby’s interpretation hit #2 on the Top 100 Chart, and although it only stayed number two for only about 2 weeks, the song eventually became a household party novelty. That’s correct! “The Twist” wasn’t the only major hit Chubby was known for.
Limbo Rock, Eventually Became A Household Novelty!!
I love me some Esther Phillips, and “Release Me,” is probably my favorite of all her songs. I would consider her the queen of R&B personally speaking. When I hear her voice, she reminds me a LOT of the late Nell Carter, they both have that nasally type voice (but a good soulful sound rarely heard). You know when I hear songs like Esther’s “Release Me,” I understand why streaming services want to do away with genres, and more towards “mood music (if you will).” Because hearing this for the first time, I hear R&B, but in reality this is a country song. I think it was Ester’s unique voice that turned the song soulful. Check out my playlist. I think you’ll enjoy it.
Song: Rum Is Macho
Artist: Mighty Sparrow
OMG 😳! I can’t believe it! I NEVER expected Spotify to have this entire album! Like I’ve always said, this is why it’s a good idea to use a streaming service for your core music needs, instead of YouTube. The Mighty Sparrow was HUGE in Jamaica and throughout the West-Indies. I guess here in the United States as well; we had a large population that heavily migrated here during the 1990s. However, growing up, it appeared that I only heard Sparrow played among my elders. Despite Sparrow almost exclusively performing calypso, I can’t recall hearing too many young people (my age then) interested in Sparrow’s music. But, in the music world, Sparrow was just as important and influential to the Caribbean, as Tito Puente was to the Latin community! Sparrow was literally dubbed “The King Of Calypso.”
Sparrow Brought Back Huge Childhood Memories For Me!
This album brought back a flood of childhood memories for me. Now, I can rehear this entire album in all it’s digital 320 bitrate glory! This album represents the best times I had when both my grandparents were alive. I can literally still see them dancing, laughing, having fun, and not giving a shit about what’s going on outside their world. We really take for granted how impactful music is in our lives. Music is the one thing that helps one to forget family drama, even if it’s for a moment. I have to say though, I was shocked to shits when I heard my late grandfather say he hated Sparrow😨! He said he only played his records because grandma liked them. LOL… I couldn’t understand why? However, to be honest, some of Sparrows music does kind of sound repetitive. That’s one of the downsides when record labels “keep that same money making formula.” Perhaps that’s what grandpa hated.
You Might Not Like His Music, But It Did Not Stop Him From Playing A Major Role In Caribbean Music!
This fabulous album is a 2 vinyl set. This is truly a Caribbean collector’s item. But, I was shocked that Amazon had this album for only $32 😮. But then again, I discovered that there exist 3 versions of the albums. The original Trinidad & Tobago version, and about 3 US versions that probably were more likely remixed. I know I have the original, and what’s in Spotify’s library is the original music as it was, so I’m not sure what are the differences that made the price so low. UPDATE: it was a used album on Amazon, so it more than likely was not in mint condition. “Rum Is Macho” was the one song that was played a lot in my family. Also, I remember “London Bridge,” and “Gu Nu Gu,” being a family favorite too. Check out this album when you get a chance. If you want to hear what REAL calypso was like when I was growing up, then listen to this album. 😜