I’ve been meaning to write about these amazing and forgotten performers for a long time now. I remember shaking my booty to Jomanda’s “Got A Love For You” in my almost mid 20s. In terms of dance music, CeCe Peniston and Jomanda were huge in the gay community. Let me tell you, if you want to know about good classic club music; most gay people form the 80s-90s era are scholars in that department.
This Was A Hurley’s House Mix
This particular house mix was done by the talented (and handsome I may add) Steve Silk Hurley. Hurley’s brilliance included, Crystal Water’s “So Happy,” and he also contributed (along with other DJs) to En Vogue’s “Hold On.” Discogs has a few of his rare releases from back in the day. Of all the remixes I’ve heard, both in the clubs and on radio, his version of “Got A Love For You” was not only the best, but most memorable.
Another massive dance classic I remember from this same album is called “Make My Body Rock.” This song took off at a time when “organ house music,” was massively popular. I dare to say that organ house music back then, was popular in the same way that EDM is today in my opinion (the only difference is 80s/90s organ house sounds better (what can I say? I’m an 80s kid at heart)).
Jomanda’s Cover Of A Debarge Song
I stumbled across a song I totally forgot they did. Do you remember Debarge’s “I like It?” Well, Jomanda sang a cover to the song. Their version of “I like It,” was “bangin'” as the young kids used to say back then. I can get pretty critical when it comes to groups like Debarge; because their music is so perfect; I just couldn’t picture any other group performing this song as good as them. However, It turns out they did a really good job.
Unfortunately, The Group Jomanda had a very short career, only lasting a little more than 10 years. The group consisted of Cheri Williams, Renee Washington, & Joanne Thomas. After several years of fighting colon cancer, Joanne died in 2003. Although the remaining two are no longer performing, their music lives on!!
I will bet almost any amount of money that, until most of my readers saw this post, you totally forgot about P.M. Dawn! Well, that’s precisely why I started this music blog, to reignite those classic brain cells back again ? Their song “Set Adrift On Memory Bliss” released in 1991, had to have been my most favorite. This song obviously hit #1 not only on the U.S. Top 100 Charts, New Zealand, it was also #1 on Canada’s Dance Charts. The song also ranked quite high outside our country, such as Germany. P.M. Dawn was one of the few hip hop groups I enjoyed listening to. Actually, the original group didn’t just perform hip hop, they sang all kinds of other music too However, I think their hip hop (ish) songs were more popular (at least the way I remembered it).
Album Cover Brought Back Memories Of Black Hair Fashion
P.M. Dawn’s sense of fashion was unique to say the least. But, this particular album cover brought back memories of Black hair styles! This was at a time where it seemed every single African American was wearing beads! I also remembered when we used to use aluminum foil to keep the ends and beads from coming out! I found it hilarious in away, because when I was a teenager looking for a job, the first thing they would tell me was “no braids, and definitely no beads.” I don’t know how Black folk manage to make beads so popular back in the day. ?
In light of what’s happening in our culture in regards to race, I think it would be a very interesting conversation concerning the rights of potential employers and the rights of employees if this style was current today.
Attrell & Jarrett Cordes Were The Original P.M. Dawn
Brothers Attrell & Jarrett Cordes were the original members of P.M. Dawn. It is unfortunate that Attrell, also known as Prince Be, died a couple of years ago as a result of heart disease. Jarrett Cordes, also known as DJ Minutemix, is still performing and making music. Both men made many contributions to the hip hop community. Although the new P.M. Dawn, Doc. G, & K-R.O.K. are ok. My heart is with the O.G.
I’m pretty sure that for most of my readers, the name Crystal Gayle goes right over your heads. In terms of country music, Crystal Gayle was one of the hottest performers in the mid 70s. Her first single released in 1977 called “Don’t It Make My Brown Eyes Blue,” became a massive hit for Crystal. It shot up to #1 on the Country Charts, and #2 on the Top 100 Charts, and #1 in Canada! What this song was like what “Stormy Weather” did for Lena Horne. Crystal Gayle became a household name after her first single.
Her Long Hair Became Her Trademark!
Crystal was young, beautiful, reserved, and her class showed in her album covers. However, even with her (then) massive hit song, it appeared that people remembered her even more for her extremely long hair. It wasn’t before long that her hair became her trademark. I think this was a smart move, as very few female country singers kept their hair as long as Crystal. In fact, I dare to say that the majority of them back in the day wore a lot of wigs. Some of those being Dolly Parton, and let’s not forget about Loretta Lynn.
Her Music Transcends Age & Genre
You know, when I was a kid, I never thought of her music as “country music.” I simply saw them as beautiful ballads. I guess that’s when you know a song transcends over music categories and age groups. This is something I don’t think we’ll ever hear again in the streaming age; unless we are searching for classic music.
Duet With Eddie Rabbitt
She has also made some beautiful & romantic duets; one of which is my favorite called “You and I,” with Eddie Rabbitt. The song was released in 1983, and hit #7 on the Top 100 Charts. I think when I heard this song, was the first time I started to hear the country in her music. If you love Crystal’s music, I recommend another beautiful short ballad called “Talking In Your Sleep.” It was released in 1978 and reached #18 on the Top 100 Chart.
Still ruff dealing with my loss. But I figured the best thing to do is keep on writing. I want to share with you a song that came out this year. It’s a song produced for the University of Phoenix commercial. The song is called “You Get What You Give,” by Beacon Street. It doesn’t appear that I can find anything on this “band?” It could have been just a project specifically for the purpose of promoting the commercial.
People Must Have Really Liked This Song
Having said that, people must have really liked this song! Because if this was just for the commercial, I don’t understand why something like this would be out as a single on Spotify? For the longest time, when I heard this on TV, I thought the singer was Norah Jones. Which I love her music too btw; they both have that very smooth jazzy/folk style.
I Thought It Was Norah Jones
Although, I can’t seem to find the name of the female singing in the group (unless her name is really Mack); I did manage to find out that the song was actually a reinterpretation. This was originally performed by a group called New Rascals in 1998, and the song hit #36 on the Top 100 Charts. I barely remember this song. To be honest, I loved the way “Beacon Street” sang it better. Interesting that Beacon Street received a little more than 180k plays, from just hearing the song from the commercial. Imagine if it was properly marketed in the music arena? Hmmm
The man that I’ve always known to be my grandfather since I was born 51 years ago, has gone to sleep after years of battling cancer. I know my grandpa gone through a lot, and now his suffering is over My grandpa was one of a kind, and had a great love and respect for everyone and anyone. My grandfather had the kind of unconditional love that just doesn’t exist anymore. My grandfather loved him some good reggae love songs. So I’d like to dedicate one of my many favorite reggae songs, that was originally written by the BeeGees. The song is called To Love Somebody, by Busty Brown, released in 1969.
There’s actually two versions of Hurt Somebody by Noah Kahan I like. The first version is a duet with Julia Michaels, released this year. Despite the title and the lyrics, this is actually a surprisingly upbeat song. It’s somewhat danceable. The second is Kahan’s solo version. I think I like the first, with Julia better (although I think she’s trying really hard to get that Mariah Carey sound). There voices seem to blend perfectly, without overwhelming each other’s sound. I accidentally found this song while browsing through one of those “what’s happening now in music websites.”
Noah Kahan Is A Newcomer
As far as I can tell, Kahan started gaining notoriety sometime in 2017. I really like his type of music. I guess the best way to describe his music is, modern folk, laced with pop. He writes and performs his own music. Now, I find it incredibly interesting that Noah is an American artist, but, is popular outside the us! Hurt Somebody hit #14 on the Australia charts, and reached #29 in New Zealand. I guess validates the broad reach of music streaming!
Good Music, However His Videos Are Traumatizing
I’ve watched a couple of Noah’s music videos, and although I think he produces good music, however his videos are traumatizing. Meaning, a lot of his videos seem to convey he can’t do anything right, therefore the world is falling on top of him. Which is interesting because it’s a complete contrast to how good I think his music actually is. Then again, I have to take in to account he’s in his early 20s, so I guess that’s about right.
I want to write about one last song called “Tough” by Quinn XCII, which features Noah Kahan. It’s another great song that was released some time this year. Again, this appears to be another one of those “teenage struggle” songs. However, this one is unique, and yet deep at the same time. Now, this song feels very ambiguous to me, but then again, maybe the song was meant to be that way. The song appears to be somewhat of a love song, however it appears that the song doesn’t directly identify the gender of the person Noah is singing about. Although, I could not find any information as to whether or not he’s LGBT or not, I’m going to make an educated guess he’s possibly bi.
The Song Revealed No Gender, But..
The song flows so wonderfully, if I didn’t listen closely to the lyrics, I probably would have never noticed. Noah sings about someone who tries to act tough, but Noah knows he’s not as tough as the person make themselves out to be. Read the following beginning lyric, “Maybe it’s ’cause your mom never kissed you; If you ever cried, you’d wipe with muscle tissue. You bench pressing more than me’s not the issue I know you’re actually weaker than that; Let’s hope that nothing get deeper than that.” Ok, I guess it’s a safe bet that Noah is singing about a guy. “Muscle tissue,” is not the typical lingo or phrase we’d use talking about a woman. He then sings, “You’re not so tough, I know that nightlight’s on when you sleep. You’re not so tough. Yeah, you watch Eat Pray Love on repeat.” To mention “nightlight” suggest a closer than average relationship. So long story short, I perceive this song to be beginning love story between two guys, and Noah trying to get his insecure love interest to open up. I just loved the way Noah put this together, it was very subtle, yet a great positive song. Noah has a cool website, and he posted all his latest music videos. Also don’t forget to check him out on Spotify.
My new article “Music Artists, Understand Web Presence!” Is a necessary plea to artists, that talks about the vital importance for artists to have a web site (both from a blogger & a fan perspective). I know I’ve written about this before on my old blog, but I wanted to write a new one here as well (officially).
Bluntly Speaking, Facebook Is Just Not Enough
You know, I get it! I’m sure a lot of musicians are saying to themselves, “I don’t have time to setup I website!” Or, maybe you’re just starting out and you don’t have the financial resources to pay someone to build a professional looking site for you. So, to make it easier for yourself, you simply created a Facebook account, ’cause everyone is on Facebook right? Or maybe you’re old school, and still believe in the power of “word of mouth?” I guess that ol’ saying still applies to the new streaming generation. However, bluntly speaking, Facebook is not enough! At the end of the day you still need to have a website built, with your OWN URL.
Music Blogs Are Not Dead!
It appears as tho many new independent artists are programmed to stay on social media, as if music blogs are dead. I don’t know who started that rumor, but, music blogs are not dead! They maybe a little harder to find because of all the changes with search engines (programmatically speaking), however we still exist. You must take in to account that bloggers are a close nit community that are dedicated to specific genres of music. People are more interested in independent artists than ever before because of music streaming.
Niche Blogs Are Still Vital!
Artists, need to broaden their perspective, because niche blogs are still vital! Why do I say this? And how does this relate to you having a web domain? Well, first of all your web domain is part of your brand! Having a website makes your existence official. Second, bloggers who are dedicated to writing about specific genres, have fans that are more likely to be really interested in the music you have to offer. Also let’s not forget the fact that high ranking bloggers often have a large faithful following. If you don’t have a web presence, how do you expect bloggers to write about you? People who discover and like your music, will want to find out more about you. So, it’s critical to have meaningful write ups about who you are, what your music is about, and whatever else you’d like to share. Not to mention the fact that it will make a bloggers job a hell of a lot easier. ?
Oh boy. Do I remember the song called Ten Percent by Double Exposure. I was only nine years old when I was grooving to this song. Having said that, I guess this is one of those rare moments, when it comes to disco music, and disco remixes, the beat is important if you want people to dance. I don’t even think I was paying attention to the lyrics at that age; but boy did I love to groove to this song.
Group Was Extremely Underrated
As talented as this group was, the group was extremely underrated in my strong opinion. Although Ten Percent did reach the 2nd position on the Billboard Dance Charts, they should have had way more than that. That is, considering the fact that their sound was very close to that of Tavares, and The 4 Tops; and both those groups had huge success.
They Were Signed To Salsoul Records
I had absolutely no idea, or memory that they were signed to Salsoul Records at the time this gem was released. Now, if anyone knows about disco & Latin disco, the Salsoul label was IT back in the day. If you were signed to one of those labels, you were practically guaranteed a hit career. Maaaaaan please. I’m not going to even go in to their long music roster.
They’re still performing, and still looking good! Before I forget, I’d like to share another huge favorite, which hit the 15th position on the Dance Billboard Charts. The song in called My Love Is Free. A last huge favorite of mine that didn’t make the charts, and was released in 1978. The song is called, Perfect Lover. I just loved there ability to switch from disco to soul, and back again without missing a step.
I was listening to classic internet radio the other day (which happens to be the best kind of radio nowadays), and “Just You ‘N’ Me” by Chicago came on. I haven’t heard this in ages. Chicago is one of my very, very favorite bands. They had a LOT of hits from back in the day. I place them very high on the music bar; alongside The Eagles, and Earth, Wind, & Fire.
Indeed, One Of The Best Bands Of The 70s/80s
The band Chicago is from Chicago Illinois, and was first formed on the year of my birthday in 1967. For the most part, they’re a soft-rock, & pop-rock. Their original name was “Chicago Transit Authority.” Awhile later they decided to shorten it to just “Chicago.” Chicago probably had more employees over the course of their existence than Earth, Wind & Fire. Actually, probably more than any band.
Unfortunately, there are only 3 original members remaining. Robert Lamm, Lee Loughnane, and James Pankow. I am so amazed and thrilled that they’re still around. You know, from a marketing standpoint, they knew their brand. Has any of my readers who are fans of Chicago took the time to look through Chicago’s album art? Very impressive, and there is no doubt that this played a part in burning this legendary band in to people’s memory.
Only 3 Members Left!
You know what? Large bands like Chicago, EW&F, MFSB, they where one of a kind. Not just because of their music, but I feel that the way the music industry is now, they would never pay for large bands like this anymore. This generation only seems to focus on single artists.
In addition to “Just You ‘N’ Me,” which hit #4 by the way. I’d like to share some more of my very favorite hits. One of the most beautiful songs I’ve ever heard from any band is “If You Leave Me Now,” this song is so romantic. Apparently other fans thought so too, as the song shot up to #1 in 1976. This is the perfect please forgive me song. ?? “Hard To Say I’m Sorry,” #1 on the charts, “Saturday In The Park,” #3 on the charts, “You’re The Inspiration,” also peaked #3 on the charts. I could go on and on. Check out their greatest hits album an walk down memory lane!! Oh yeah, check out their website too. It’s really cool. Thanks for reading.
Today, I’m writing about the works of King Tubby! Not sure how my blog fans feel about this guy; but I consider him one of the great forgotten reggae DJs. He produced some of the smoothest reggae beats, with the smoothest bass. I don’t consider Tubby’s music “dance floor” music per-say; they’re probably more closer to head-bopping music at best.
Real Name Was Osbourne Ruddock
Tubby’s real name was Osbourne Ruddock, and sound engineer was born in Kingston, Jamaican. Tubby had a passion for dub music; and his unique style changed the face of dub music in the 60s/70s era. Despite how much Tubby influence reggae instrumental dance music, he doesn’t appear to be anywhere on the charts. However, I have found small pieces of articles from back in the day, that mentions him in Billboard Magazine. Many of the articles were really promotions; or articles featuring artist’s music dubbed/arranged by Tubby. However, speaking from memory, I guess this sort of makes sense. You see, Tubby died in 1989, and Jamaican/reggae dance music really didn’t seriously explode in America until shortly after the 90s. I think.
The timing of his death was sad, because not only had he contributed so much to reggae music itself, he had several of his own record labels to prove it. “Firehouse” & “Waterhouse,” just to name a few. Yet the music business had completely forgotten about him. Tubby worked with so many artists, I can’t remember them all.
Jacob Miller & Augustus Pablo
However, I do remember that some of his most popular mixes has been from Jacob Miller & Augustus Pablo, just to name a few. To my understanding, just before the end of his life, he purchased a larger and more advanced studio to manage his labels, while also using it to tutor and mentor younger artists who wanted to get in the music business.
Some of my favorite dubs from Tubby are “Western Dub,” “Take Five,” “Me Come To Dub,” “Gaza Version,” and “Staga Dub.” I would like to end this article with an interesting fact. Usually, when an artist give themselves a name like “Tubby,” it’s not at all unreasonable to assume that he more than likely has a belly. However, to my understanding, he was never overweight. His name comes from his mother’s surname, Tubman.
I found this old 80’s poster of the late legendary Prince. I love this photo because it reminds me of the Zoot suit era. Suspenders came back really strong in the 80s. Nowadays, I think the only time we see anyone with suspenders on, is if they’re a “Street Mime,” or someone who works in a circus ? I miss the eighties so much, this was the age when we had the most creative styles in my opinion.
I wasn’t a terribly huge fan of the Beatles, or Paul McCartney for that matter. Well, not enough to buy their albums. However, there are some singles that Paul McCartney produced with Wings that became my all-time favorites. One of them that is a song he recorded when he was with the band Wings; and the song is called “My Love,” released in 1973.
Great Love Songs In Modern Rock
In my opinion, I think “My Love,” was one of the great love songs in “modern rock.” I used quotes around that term because that’s what we used back then between the 70s and 80’s to describe this kind of music. For the purpose of this classic blog, modern rock is no where near the same meaning as what you’d think about modern rock today! I guess today, we’d put this under the soft-rock category, or perhaps romantic-rock (if there’s such a category).
Feel Like They’re Listening To AM Radio Today
There’s no doubt in my mind that most people younger than myself, maybe in the 30-40 range, would listen to this music and feel like they’re listening to AM radio today! ‘Cause this was exactly the kind of music you’d find there (other than predominantly news and sports). I think it’s safe to say that a huge chunk of Paul’s music has been either pop, or easily listening.
Wings Members Included Paul’s Wife
Wings was a band that Paul started about a year after he left the Beatles. Honestly, I’m shocked as to how long they actually lasted. Within 10 years the group members have changed so much (like shoes). The only core members that remained was McCartney and his then wife Linda.
There are four more favorites by Wings I’d think you’d like. “Band On The Run,” “Let ‘Em In,” and “Silly Love Songs.”
Leon Bridges’s “You Don’t Know (2018),” on his new album “Good Thing” in my opinion , is the best new classic dance sound almost at the end of the year. I not only love the obvious classic look of this album cover, but I can also appreciate the authentic classic sound. Even his music videos has that old school flair to it. The mixture of color filters, while clearly capturing modern scenery is brilliant.
Spirit Of Amy Winehouse
You know, he reminds me a lot like a “male version of Amy Winehouse,” in that he’s a very young artist that has chosen the genre of classic sound. I am VERY please that I’m finding more and more younger artists that are doing this. Thank goodness there still exist parents out there who are musically cultured and pass that culture down to their children!
Esquire Interviews!
This new talented young artist has got a lot of buzz going around! Interesting that there doesn’t appear to be any bio’s about him (at least from my research), but he has been interviewed by magazines such as Esquire. In the first few paragraphs of this article, you quickly get a sense that Leon is truly down to earth, and that he is comfortable with his art, music, and overall creative direction.
More Of His Music
There’s another song that I recommend that you check out. It’s called “Bad Bad News.” It’s on the same album, and I think the beat to this song is really hot. Please also check out his album called “Coming Home (2016) Deluxe.” It includes 5 additional songs in comparison to it’s first release in 2015.
Stevie Nicks’s “Stand Back (1983),” which hit number 5 on the Top 100 Charts, is one of my few huge favorite songs from her AFTER she went on her solo career. However she made a big shift between music genres, in comparison to the music she did with the band. You know, I’ve always felt, and continue to feel that much of Stevie’s best songs were with Fleetwood Mac. That’s just my opinion. Then again, her great great success with the band could have resulted from her relationship with Lindsey Buckingham.
Relationship With Lindsey
At one point, it appeared as though the special relationship that both Stevie and Lindsey had (in addition to Nicks’s unique voice) was what made the band the legend it s today. It is a shame that it didn’t work out. I got the impression Stevie Kept procrastinating and the next thing she new, Lindsey became a father for someone else. Today, Lindsey is married to Kristen Messner, with 3 children.
In a YouTube Video I saw a while back, Stevie promises to her fans that the on-stage magic between Lindsey and herself will never die. It looks like she’s one of the very few who has kept her promise. As of March 2019, they’re schedule to perform in Madison Square Garden. Not sure if I can afford those tickets, but I would love to go If I can.
Madison Square Garden!
You know, although I’m happy that Stevie Still performs with the band (she kind of have to, because the bulk of their hits have been together, and that’s what fans want); I also took note of an interview she did with Rolling Stone Magazine. In essence, she explains that she would never do another album with the band, because she feels it would not make any money. She said she’d rather tour with the band rather than spending time and more money creating an album. I’m not sure if I agree with that! The reason is, they’re not some hasbeen band trying to revitalize their career. They’re a very well known and respected band. Fans would buy their music just to have it as a collector’s item. That’s my opinion.
“If I Ruled The World (1968),” was brilliantly performed and recorded by James Brown and his long-time band, The Famous Flames. The beautiful song was composed by Leslie Bricusse and Cyril Ornadel. The song was originally from a Broadway musical, turned TV movie called “Pickwick (1969).” I guess no one saw it, because IMDB has zero ratings!
James Really Poured His Heart
Many artists performed this song throughout the years. However, with the exception of Stevie Wonder, in my opinion, I don’t think there were any vocal artist that performed this song as well as James Brown. James really poured his heart in to this song. When I think of James’s tireless contribution to the civil rights movement, and I listen to him sing this song, be it live or in a recording, I know he meant every word sung in this song.
Both Black & Whites Owed James Thanks
If I’m not mistaken, I think “Living In America (1986)” was James’s last hit song before he died. The song shot up to #4 on the Top 100 Charts. I remembered seeing that live performance on TV. I’m thinking to myself; everyone is watching a great old performer that “still got it.” Or maybe you’ve made fun of him like many people did when his incarceration photo showed up all over the internet. But few people knew that if it were not for James Brown, we could have had a blood massacre the world has never seen!
James Brown Prevented A Blood Massacre
“What Do You Mean, When You Say Blood Massacre?” Well, I’m glad you’ve asked! In 1968, the same year “If I Ruled The World” was released. Martin Luther King was assassinated. Also keep in mind that this is now 50 years after the fact, which from my perspective was not long ago. When MLK was assassinated, 100s of cities turned to rioting. Neighborhoods were destroyed and many casualties. Despite the cries for a peaceful protest by the late MLK’s colleagues, it went on deaf ears.
It Was James’s Love For His People
James Pleaded with the Black community to stop the rioting. More and more people were getting hurt, killed, and communities were being destroyed by their own. Our then, 36th president, Lyndon B. Johnson, called a state of emergency, and ordered armed guards throughout the city to try and take control in order to reduce the violence. Long story short, James held an unforgettable concert performance in Boston. The concert was so powerful and moving, it literally shifted the mindset of the Black community. Now, this is not to say other Black leaders were not, or could not do anything; but James’s music and presence was a very very powerful influence.
Immediately off the back, let me start off by saying I have NOT seen the new movie “A Star Is Born (2018).” However, IMDB has a rating of 8.2, and Rotten Tomatoes has an audience score of 81! That’s quite impressive. I was in total shock when I saw those ratings. Well, what do you expect? I’m someone who grew up in a particular era, and I’m not highly fond of most of today’s remakes. When you’ve seen so many bad ones as I, people like me aren’t immediately enthusiastic about spending $20+ for any remake. Especially for a love story such as this one. Thank Goodness for IMDB and RT!!
IMDB Has A 8.2 Rating!
Now that I know the movie got positive responses, I’ll just have to add this movie to my IMDB list. Although, I do find it curious… Technically, since Streisand’s “A Star Is Born (1976)” actually ranked lower in comparison to Gaga’s; it does bring a little concern that younger kids are rating it higher just because Lady Gaga is in the movie. But I do know, Lady Gaga has the windpipes to pull it off!! Now before I veer off topic ? let’s talk about the sound track to the movie.
Lady Gaga Has Windpipes
There are some songs on the sound track I really liked. Gaga tore up “La Vie En Rose.” It just amazes me how a talent like that can sing a song in any language, and still convey the emotion in that song. That is not an easy thing to do with some languages, because they don’t always translate in the same way. I also love “Look What I’ve Found.” That’s a really fun song.
Bradley Cooper’s Voice
Bradley Cooper’s voice is nice too. However, I prefer listening to the songs he sang that has a folk tempo to them, such as “Maybe It’s Time.” I also loved his guitar solo called “Out Of time.” I think it’s safe to say that Bradley is a music new comer. So far the only songs I saw from him are the songs from the “Star Is Born” sound track. I hope I hear more music from him later on.
The Duets
The Duets between them were pretty cool too. “Diggin’ My Grave” is a good one. Never expected that song to be so up beat, but I didn’t see the movie yet, so I don’t know it’s context. The last duet “I’ll Never Love Again” was pretty powerful. All in all, I think it is a pretty decent album. The music is pretty diverse, well written, and a lot of emotion. Check out “A Star Is Born” sound track on Spotify.
You know, usually, we can make a reasonable assumption that just about anything we think of can be found on the net. However, this is one of those rare cases were virtually no biographical text appears to be available anywhere on cyberspace on this group. I don’t mean to beat a dead horse….. But…. We’re loosing our history! It’s pretty frustrating when I can’t fulfill my responsibilities as a classic blogger, because I am unable to find proper resources. The Family’s Do The Robot, should have been on The Billboards at least. Anyway……
Many Aliases Of MFSB
The best information, or should I say clue about the group called “The Family,” as that the name was one of many aliases of MFSB (Mother, Father, Sister, Brother). I’m guessing that the names must have changed, as the group members changed. As I remember it, the band wasn’t really a “group,” but a project. So, it’s entirely possible that “The Family,” (not to be confused with “Sly and The Family Stone”) did not do well on the charts overall, and decided to change the name of their group project, to reflect the change in music.
During The Dance Craze
Unfortunately Spotify doesn’t have this song, but I still wanted to share it with you guys because it was one of my memories growing up. Although I didn’t see any Billboard information, I remembered this to be very popular, and it was released during the dance craze years. Just to clarify to my younger readers, when I say “Dance Craze,” I don’t mean we never really danced before. The meaning of “dance craze,” for me is when an artist/band creates their own dance, gives it a name, and associates a song to that new dance. That’s the difference between a “dance craze,” and “dance music.” Check out Do The Robot On YouTube!
The Quincy Jones Legacy! Man! I can’t believe I found this album. I literally said to myself “eenie meenie miney mo,” ’cause I did not know what was going to be today’s topic. I really struggled trying to figure out what category to put this article in. Quincy is definitely not a forgotten legend, at least as far as the music industry’s concern. However, as far as the general public, he is.
The Quincy Jones Legacy
Quincy is such a phenomenal and talented human being, I think it’s impossible to find the words to describe him. I think in order to figure out who Quincy is, you just have to listen to his works! Quincy has produced so many chart topping hits, that literally helped change the world throughout his career. Even till this day, I’m still finding works I had no idea he produced. One of which is actually on the above 1971 album “Smackwater Jack,” and the piece is called “Ironside.” Ironside is the theme to the hit 60s television series “Ironside,” Starring Raymond Burr. Raymond played Robert T. Ironside, an detective/lawyer who solves crimes in a wheelchair (basically). The show was actually pretty good!
Jazz Music Was His Game!
Quincy was his name, and Jazz music was his game. Very few musicians can touch Quincy when it came to producing music. My man Quincy Jones is clocking 85 years of age now, and he is still kicking butt producing and performing! There is no doubt that music is in his veins and throughout his whole body. Quincy worked with many other artists, including the late Michael Jackson, Count Basie, Sarah Vaughan, and Dinah Washington, just to name a few.
Inspired By Ray Charles!
With all the phenomenal artists he has worked with, do you know who was the very person that inspired him to become the person he is today? At about age 14, Quincy met the late Ray Charles and saw him perform in some night club. It was at that moment Quincy knew what he wanted to do with his life. While working very hard on his music career, above all other things, music did not stop him from being a lady’s(s) man. Quincy had been married several times, and fathered several children. According to articles I’ve read, he even had a relationship and 2 children with actress Peggy Lipton, of the original 70s TV show, The Mod Squad (which was another favorite show of mine btw).
Greatest Productions!
I can’t end this article without writing about some of Quincy’s greatest music productions! Some of them include Michael Jackson’s “Billie Jean,” U.S.A for Africa’s “We Are The World,” The Brothers Jonson’s “Strawberry Letter 23,” and Leslie Gore’s “You Don’t Own Me.”
You know, before I begin, I’d just like to say “off the bat,” I don’t mean to start off sounding negative. However, I need to share with my readers that, I’m finding the new face of Motown very troubling. It’s not that I don’t like change, ’cause long-time readers know that I am all for technology and diversity! But…… My goodness…. After Berry Gordy done the unthinkable!! Exactly 20 years ago, Mr. Gordy sold Motown records (the largest Black owned anything) to MCA records, which is now known as Universal Music Group for 60+ million dollars, sh*t went downhill after there. In 2003 Universal Music Group’s label became defunct. However, the company reestablishes several of it’s acquired labels as stand-alone, which included Motown.
Even Bigger Issues!
But…. Here are my even bigger issues I have with Universal Music Group. I’ve named this article “The Changed Face Of Motown Records!” for a reason. Although they saved the Motown label; despite the fact that Motown is supposed to be its own independent label, Universal Music Group has the credits (music streaming at least). Motown’s name doesn’t appear anywhere, with the exception for old album art. Second issue, do we know if Motown is making any money? Is this why the legendary Motown name is omitted from advertisement? I mean, don’t get me wrong, I love me some Badu, and I also love me some Ne-Yo, but we can’t compare them to Diana Ross & Smokey Robinson. Universal Music Group has basically turned Motown in to a less than average grade Hip Hop label. This is NOT the history of Black people! Thirdly, and most importantly, in the past twenty years since Motown has been sold, I saw absolutely no attempts to advertise Motown’s history! I mean I haven’t seen ANYTHING! Not even a greatest hits of anything!! Today, unless you are old enough to remember Motown, it doesn’t exist.
Need More Black Writing!
So, although many of you cop an attitude when I say this, but this is a perfect example why Black folk need to start writing, and take a minute from watching “Love And Hip Hop,” and learn how to put a blog together. We need more Black Writing! No other race is going to write about us, with the same sense of urgency the way we should! I just don’t know how to explain it any clearer than that! For the 90 millionth time, we are loosing not only Black music culture, but our classic music culture in general. When this happens, just make a note that it’s going to be no one else’s fault but your own. I’m doing my part by personally building this Blog.
The Magic Is Gone!
When Gordy sold Motown, he put a price on the worth of Black music. Now the magic that Motown had is completely gone! Decimated…… Destroyed….. Sooner or later, you’ll Google Motown, and all you’ll see is some ugly n**** rappin’ about some bitch, who needs his *expletive* in her whoohaa. Is this the kind of legacy you want to leave behind? All you “xtians” need to get out of church and teach your grand kids what music history is. Don’t wait until their twenty-five, cause they’re not interested in what you have to say by then. People are going to start easily believin’ in what “sounds believable,” ’cause we’re not going to have any documentation to go back too. You can get mad at me all you want! You can say how disrespectful I am all you want! But deep inside, all your *sses know I’m talking real. You’ve failed!
Did you know that Stephanie Mills was the ORIGINAL Dorothy, of the first Broadway play of “The Wiz?” Yup! The play opened in 1975 thru 1977. I believe she performed for the entire two years (I think). I had the original Broadway album. You guys have got to hear her original live recording of “Home.” The song eventually shot to #1 on the R&B charts, and this became the start of Stephanie’s amazing career!
Did You Know?
Even today, every time I hear Stephanie sing Home, it brings chills down my spine. It was as tho that song was made just for her. No matter how many times she sings this song, when she picks up that mic, you know she’s going to tear it up lovely! I once read an article where she stated the auditioning she had to go through for The Wiz was brutal. I’m so happy she went through all of that, cause I can’t imagine anybody else doing this song so well. She was a powerful influence for young Black girls.
Gosh…. 1979! I can’t believe how long ago it’s been. My favorite Stephanie Mills song of all times is on this album! As far as I’m concerned, the disco world closed the 70s era, with one of the best disco song ever! (in my opinion). “What Cha Gonna Do With My Lovin’” had a smooth consistent beat, and it had the kind of beat that both young and old could dance too. This was the first gift my late aunt give to me @ the age of 12. I was the happiest boy ever that day. I played that song so much, I’m surprised the album didn’t turn in to dust. ? This was such a popular song, I’m suprised it didn’t rank higher on the billboards. What Cha Gonna Do With My Lovin’ ranked #8 on the R&B charts, and #22 on the Top 100.
20th Century Collection
Mills possesses such a beautiful and unique voice in my opinion. It’s so distinctive that on the first note, fans all know exactly who it is! I’m surprised that Spotify doesn’t have more of her old albums. However, the have most, if not all of her major hits, as well as my favorite lesser known songs. I thought about creating a playlist, but instead just go to her 20th Century Collection.
In the very late eighties, 1988 to be exact, a group called Will To Power released a song called “Baby, I Love Your Way / Freebird Medley.” This has got to be my favorite love ballads from a rock band of all times!! Actually, although the song was categorized as rock, the band itself does mostly pop. There have been many versions, but their interpretation is the best. The song hit number 1, and stayed on the charts for about 24 weeks. This became the mother theme song of all theme songs in the 80s (at least in terms of pop culture). This song was a reinterpretation of Peter Frampton’s “Baby, I Love Your Way,” which only reached #12 on the Hot 100 Charts in 1976. It’s very curious that there doesn’t appear to be any official studio version of this song from Frampton; it appears that he only recorded this live.