Artists: A Variety
Genre: Ska & Rock Steady
Since playlists are so incredibly important, I decided to do another one this week. Today, I want to focus on a forgotten music label called Trojan Records. Coming from a family of heavy music lovers and performers, growing up, I can safely say that Trojan Records for reggae artists was the equivalent to Motown for Black American artists. In terms of the hits they pumped out, and the tremendous contributions they’ve made to Black music in general. I really don’t think, not just Americans, but other countries around the world would have ever known what reggae was, if it were not for labels like Trojan Records.
Trojan Played A Pivotal Role In Reggae Music!
Like Motown, Trojan employed many hit makers such as Toots & The Maytals, Bob Andy, Peter Tosh, John Holt, Marcia Griffiths, are just a very small fraction of the very talented people they had on their raster. Trojan is actually a British label, that was formed some time in 1968. As far as I know, the label has strictly dedicated itself to ska & rock steady type of reggae. To be honest, I can’t even recall ever hearing calypso from Trojan (at least when I was a young boy anyway). Today I’m not really sure if the label is producing new music. I can’t really find a whole lot of new stuff, with the exception of re-releases of their old music. Traditional reggae is such beautiful music! It just hurts my heart that it’s become “an old fad” in America. Almost never to be listened to again, as if it ran its course. Huh! Again, just like Motown! When Berry Gordy sold Motown, when last have you heard any advertisement for anything Motown? They had no interest in keeping the memory of Black music, only to own the value of it’s name.
Trojan Is Actually A British Label!
Trojan is now under Sanctuary Records. It doesn’t appear that Sanctuary has produced a lot of (or if any) new reggae under their name either. Please think about this for a moment. Trojan was affiliated with more than 30 other Black reggae labels (which I’m sure Sanctuary also owns or have license to), and I’m having difficulty finding new Black reggae music from them. However, they’re offering imports of their old music for extraordinary amounts of money. Another reason why music streaming is so important! So that poor people who can’t afford that kind of money for those rare reprints/originals, still have another way to access our history for practically free!
Reggae Music From Trojan Records Almost Feels Extinct!
Ok, a little about my new hand-picked playlist?! The process of putting together this playlist was sort-of difficult. Because it is not an American label, I can’t find chart information as easily as I’d like. Most if not all don’t even have chart information. I had to really rely on my childhood memories, my mom’s vinyls and my late grandpa’s reel2reel tapes and vinyls, and pretty much start diggin’ through several hundred music streams ?. Out of about 800 Trojan tunes I’ve curated, I’ve narrowed them down to 40 treasures for this playlist. I really think people from the Island around my age will enjoy this list most definitely; and hopefully it will jar some memories for you too! Yes?
After Hours & Hours Of Listening, I Made The Perfect Classic Trojan List!
Soooo, some of the great artists I have on this list includes the great Desmond Dekker & The Aces, with their hit called “Shing A Ling.” This wasn’t Dekker’s biggest hit, but I loved this song anyway. You’d probably are more familiar with one of his bigger hits, such as “007 (Shante Town) (1967).” By the way, I wish I was able to find more information about the above photo with Dekker in it. I noticed the sign in the photo mentions Byron Lee (not pictured (although I’m sure it’s the guy with his head turned the other way, but I’m not certain)). My late grandfather absolutely loved Byron Lee. Byron was HUGE in the reggae world. In my opinion, he was like the reggae version of Tito Puente ?. Speaking of Byron Lee, he was also on the Trojan label. One song by Byron my late Grandpa used to play a lot was called “Only A Fool (with Sparrow)(1977).” Ahhh, this was such a beautiful record. Byron also had another huge hit called “Tiney Winey,” and I believe it was released in 1984. Now, I know I said early in this article that I hadn’t heard any calypso music out of the Trojan label. But here’s the thing, with songs like “Tiney Winey,” artists often change labels, sometimes labels get taken over, sometimes they’re also under sub-labels that specialize in a specific genre. It’s really hard to know what’s what.
Byron Lee Was Almost Like A Reggae Version Of Tito Puente!
Next, I have the legendary Millie Small, who many Americans would be shocked to find out she was actually from Jamaica! Unfortunately I never considered her to have a really talented voice. However, she exploded in the music scene when she released her one massive hit “My Boy Lollipop (c.1964).” The song hit #2 on the top 100 American Billboard. Unfortunately, Millie past away in early 2020, at the age of 72. A lot of famous artists on the Trojan label also made some awesome covers of American music. “Help Me Make It Through The Night,” by John Holt; “The First Time Ever I Saw Your Face,” by my girl Marcia Griffiths; “Don’t Play That Song For Me,” by Derrick Morgan; and plenty more on this playlist. I hope you enjoy!!