Song: Del Ray
Artist: Sola Rosa
This is an amazingly talented and multicultural group, that I’m guessing came together around 2000. Believe it or not, I was listening to an independent radio station using Windows Media Player, yeah, I know, who the hell still uses WMA anymore? ? Well, I did! As a true lover of music, people like me don’t allow ourselves to be hogged down to a single source of music. This is one of the ways you find great music by venturing out places you normally wouldn’t. Anyway. The song “Del Ray” was playing, and I just lost my mind. In my opinion, this composition was (and still is) HOT!! It has a mixture of Mexican, hip hop, & club all in one. I kept thinking this was a remake; I can’t help the feeling I heard the melody before. But then again, I’ve listened to so much music since I was little, many will sound familiar to me. Check it out will you?
Genre: Sweet Reggae
This may sound very arrogant…. But…. In this day and age, the only people who can probably appreciate an album like this, are Jamaicans and West-Indians in my age group. Very few Americans would know anything about this album; unless perhaps you’ve dated someone for many years who happened to be from the island. One of the things I miss most from my childhood growing up was, in my neighborhood, we had one of the only record shops dedicated to 100% reggae! Both full albums and 12 inch reggae; many if not all were imported. All in a very short walking distance. I remembered this album being one of many my mom purchased there. I think this was when I fell in love with Toots and The Maytels’s music for the first time.
The first song I heard was “Bam-Bam” by Toots & The Maytels. I loved this song so much. I don’t know what was it that I loved it so much. Maybe it was his unique voice? Maybe it was his soul that came through his music? Or maybe it was his passion for political change I heard in his music? I played that song so many times. The second song I fell in love with was “Pomps & Pride.” Very catchy tune, and you can’t help but to move your hips just a little bit when you hear it. I was really surprised to find out that Spotify has the entire entire album. The album has various artists, which includes Desmond Dekker (which is another talented favorite of mine.Save $10 On Any Purchase & Get Free Shipping On All Orders At MaddaFella.com! Use Code: MADDA10!
Today, I’d like to write about one of the biggest forgotten reggae legends! His name? The late John Holt. This man has made a lot of smooth reggae. Sweet, sweet reggae. He also used to be one of many Jamaican artists that loved to reinterpret American music; and let me tell you, many of them were really nice in my opinion. I didn’t like all his remakes, sometimes it sounded like his voice didn’t fit some of the songs he sang. But, there was one cover he did that I remember my grandfather listening to a lot on his reel2reel (I loved it too). This song was co-written by the late Brook Benton (along with two others), and recorded by the late Nat King Cole. The song was called “Looking Back (1958).” The song hit #2 on the R&B Charts.
However, John Holt’s version of “Looking Back 1972),” took the song to a whole different level. I LOVED how he put together that organ intro; it almost made the song immediately recognizable. It’s a beautiful song that talks about a man realizing his bad mistakes toward the one he loves, and he learned not to do them again. You know, I was saddened to discover that Holt’s cover version wasn’t even mentioned anywhere on Wikipedia. If I didn’t know it existed growing up, it would not be on my blog. I digress.. I tried adding him on Wiki, not sure if they’re going to approve it or not. I want you to check out two more amazing Holt songs. “A Love I Can Feel (1971),” and “If It Don’t Work Out,” also released in 1971. “If It Don’t Work Out,” is actually a cover of the Casinos’s song “Then You Can Tell Me Goodbye (1967).”Save an Extra 10% on Guitar Cases and Guitar Gig Bags: Use Code TOURGUITAR
I have to tell yah……… The group “Free,” in my opinion, was one of the many most underrated rock bands in history. As someone who’s in to all kinds of music, I really felt that these guys could sing as a solid rock band. In London, 4 guys decided to come together and form phenomenal rock band; Paul Kossoff, Simon Kirke, Paul Rodgers and Andy Fraiser. In 1968, these 4 guys became “Free.” It’s sad that they broke up within 5 years of getting together. It is unclear exactly why they broke up. I could only imagine it was probably about creative differences.
I guess in the end, it really didn’t matter, as two of the four members died as a result of poor health and drug issues (typical). Free struck gold, with their massive mega rock hit “All Right Now (1970).” The song peaked at #4 on the Top 100 Charts. The song was so popular, it not only made it’s way to a Burger King commercial, it also made Wrigley’s Gum commercial too. Interesting interview I’ve read with drummer Simon Kirke. He shared that “All Right Now,” was actually a song written after a bad gig one night. It was then that the group decided they must increase their tempo. Out of that meeting “All Right Now” was born.
Does anybody remember this oldies album from the legendary Culture Club? Unfortunately, this was not one of their most successful albums as a whole. I’m wondering if this is why the licenses for almost every song on this album have been nuked. However, they did have two hits from this album that had done fairly well on the charts (I think).
My favorite out of the two is their song called “Move Away (1986).” Now, I know it may sound like I’m contradicting myself, but although I liked this song, I also think I liked it because the song just happens to be a catchy tune. Almost like a jingle or a catch phrase (kind of). The other song is called “God Thank You Woman (1986).” This is another catchy tune. The tune is actually danceable. Unfortunately, only the 12 inch extended version is available on Spotify. I much prefer the original album version, or radio edit.
I want to switch gears a little bit. As some of my long time followers may have already figured out, I also love listening to music of different cultures. I’d like to introduce to you a talented group named The Hygrades, from Nigeria. You know, as a whole, I normally don’t listen to a lot of Nigerian music, but when I do, I usually enjoy it very much. However, this group did not create traditional Nigerian music. From the 70s, 80s, and even perhaps the 90s popular Nigerian music had a unique sound that was unmistakably Nigerian. But, The Hygrades did not produce traditional Nigerian music. They made what they called Afro-rock.
Although, in my opinion, I hear more of funk infused with blues than anything else. Then again, 50s/60s rock wasn’t the same rock it is today; it was as though rock from that era deserved it’s own genre. The Hygrades made some good sh*t! Also, let me say, when it comes to music, I think every country/culture has their own specialty. Having said that, I always thought to myself, if you ever wanted to learn how to pick a stringed instrument, let a Nigerian teach you. Those guys can pick them some guitar, as though that guitar was a body part ?. It is extremely rare that we see American artists with this level of talent today. All the ones I can think of are all gone now! Like, the late Prince? Jimmy Hendrix? Or perhaps Bo Diddley? Not even them really, ’cause with the exception of Diddley, Prince & Jimmy strung a lot of long notes, whereas Nigerian strings are usually a consistent barrage of quick & complicated high pitched notes at the base of the guitar arm.
The Hygrades were put together by a producer named Goddy Oku, based in Enugu, Nigeria. They were eventually signed to HMV/EMI records, and produced many popular hits. “Keep On Moving,” “Rough Rider,” and one of my hot favorites “In The Jungle (instrumental version).” Unless you’re already familiar with their music, you’d never guess where these guys were from. If it were not for Spotify (not YouTube), I would have never rediscovered this group.
I totally and completely forgotten about this group! WOOOOOOOOW!! Does anybody even remembers an old Spanish group called Mocedades? This is one Spanish group that should not be forgotten! Why is that you ask? Well, allow me to give you a quick synopsis. Mocedades entered some sort of song contest in Spain. The song that was chosen is called “Eres Tu (1974).” After the song won second place in the contest, it was then released as a single. What’s important to note is that the group sang the entire song in their native language. To date, it is the only Spanish song that peaked #9 on the American Billboard. I remember hearing this song all the time, I expected this to be #1 on the Top 100 Charts. Actually, it peaked #3 on the Easy Listening category. I didn’t even remember we had an Easy Listening scoreboard back in the day. Now, to be honest, I don’t know how popular this group is in Spain, because obviously their music ecosystem is different from ours. But one thing I can obviously tell, Eres Tu was their money maker. Every greatest hits album they produced, Eres Tu, was either near or on top of the list. ? ? Wow, this song really took me back to my childhood. Eventually, the song was translated into several languages.
I wonder out of curiosity, how many people remember Tracy Ulman? I would think not that many. Tracy was born in the UK, and she was an extremely successful 80s actress and singer. She had her own TV show, called The Tracy Ulman show. It aired from 1987 thru 1990. It was funny as hell in my opinion. I think she’s talented both as an actress and as a singer. One of my favorite songs she sung (which I also believe (if my memory is correct) was the theme song from that show) was “They Don’t Know (1983),” It was from her debut album “You Broke My Heart In Seventeen Places.” The song hit #8 on the Top 100 Charts. The album was actually cute, it has a 60s sound to it. I don’t think she has made an album in quite a long time. Most are just re releases of her old stuff. Although I think her music was cute, honestly I think I liked her better as an comedian.